"Look here, sonny; if you play any longer on that string you'll wear it
out. In the morning there was one melon left, the spring-gun having
blown the fourth one to smithereens--pieces of it being scattered all
over the ground--though there was not a fragment of skin or hair or
feather to show what sort of thing it was had carried off the fifth
melon. There was one left. The biggest of the lot--a great dark-green
ball of liquid fire and honey, that would ha' fetched first prize at any
show. I made up my mind to save that one, so I built a kraal round it
with stakes driven in a foot deep, and roofed in with saplins, and over
all a fence of thorns. And when the dark came on I sat out there with
the gun and the bull's-eye lantern. I tell you I've suffered a lot in
trying to keep those six melons of yours--and that night there was a
stillness in the air that brought out all my sufferings on the stretch
like fiddle-strings. It was dead quiet far into the night, with the
stars blinking, and the voice of the sea appearing to pass overhead,
when of a sudden there came that splash from the pool, loud and
startlin'. I stood up to look down into the valley, then I slipped
inside."
"What did you see?"
"See! nothing; but I felt there was something crawling up that hill--and
through the air all around there came that humming. Yes, I slipped
inside; but on the bank I left that lantern glaring like a great eye
over the melon patch. I could not sleep for a melancholy sound in the
air, half whistle, half moan; and when I went into the middle room to
look out of the window, I'm gummed ef that bull's-eye lantern wasn't
standing on the table with the slide shut. That very same lantern I'd
left all ablaze on the bank--and in the room there was a smell of crabs,
a damp, muddy smell, and beyond the window was a smoulderin' fire--the
same dull spark-like point I had seen on the first night."
"Your pipe is out; do you want another match?"
"A match is not much good without baccy. Thankye, sonny. So I climbed
into bed again, or rather--for I'm not ashamed of being afraid--under
the bed, and there I was when I yeard the old rooster say good-morning
to the sun. The first thing I did was to look at the melon patch, and--
what'jer think--"
"Go on, you wretched old fabricator."
"I seed that last water-melon sliding down the hill."
"Sliding? Wasn't it walking?"
Public-domain text, read in full here on John Shaqi.
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