Halfdan was an only child. His father, a poor government official, had died during his infancy, and his mother had given music lessons, and kept boarders, in order to gain the means to give her son what is called a learned education. In the Latin school Halfdan had enjoyed the reputation of being a bright youth, and at the age of eighteen, he had entered the university under the most promising auspices. He could make very fair verses, and play all imaginable instruments with equal ease, which made him a favorite in society. Moreover, he possessed that very old-fashioned accomplishment of cutting silhouettes; and what was more, he could draw the most charmingly fantastic arabesques for embroidery patterns, and he even dabbled in portrait and landscape painting. Whatever he turned his hand to, he did well, in fact, astonishingly well for a dilettante, and yet not well enough to claim the title of an artist. Nor did it ever occur to him to make such a claim. As one of his fellow-students remarked in a fit of jealousy, “Once when Nature had made three geniuses, a poet, a musician, and a painter, she took all the remaining odds and ends and shook them together at random and the result was Halfdan Bjerk.” This agreeable melange of accomplishments, however, proved very attractive to the ladies, who invited the possessor to innumerable afternoon tea-parties, where they drew heavy drafts on his unflagging patience, and kept him steadily engaged with patterns and designs for embroidery, leather flowers, and other dainty knickknacks. And in return for all his exertions they called him “sweet” and “beautiful,” and applied to him many other enthusiastic adjectives seldom heard in connection with masculine names. In the university, talents of this order gained but slight recognition, and when Halfdan had for three years been preparing himself in vain for the examen philosophicum, he found himself slowly and imperceptibly drifting into the ranks of the so-called studiosi perpetui, who preserve a solemn silence at the examination tables, fraternize with every new generation of freshmen, and at last become part of the fixed furniture of their Alma Mater. In the larger American colleges, such men are mercilessly dropped or sent to a Divinity School; but the European universities, whose tempers the centuries have mellowed, harbor in their spacious Gothic bosoms a tenderer heart for their unfortunate sons. There the professors greet them at the green tables with a good-humored smile of recognition; they are treated with gentle forbearance, and are allowed to linger on, until they die or become tutors in the families of remote clergymen, where they invariably fall in love with the handsomest daughter, and thus lounge into a modest prosperity.