selfishness, and, as such, bore a close kinship to all that is purest
and best in human nature.
It is one of the tragic facts of this life, that a relation so unequal
as that which existed between Halfdan and Edith, is at all possible. As
for Edith, I must admit that she was well aware that her teacher was in
love with her. Women have wonderfully keen senses for phenomena of that
kind, and it is an illusion if any one imagines, as our Norseman did,
that he has locked his secret securely in the hidden chamber of his
heart. In fleeting intonations, unconscious glances and attitudes,
and through a hundred other channels it will make its way out, and the
bereaved jailer may still clasp his key in fierce triumph, never knowing
that he has been robbed. It was of course no fault of Edith’s that she
had become possessed of Halfdan’s heart-secret. She regarded it as on
the whole rather an absurd affair, and prized it very lightly. That
a love so strong and yet so humble, so destitute of hope and still so
unchanging, reverent and faithful, had something grand and touching in
it, had never occurred to her. It is a truism to say that in our social
code the value of a man’s character is determined by his position; and
fine traits in a foreigner (unless he should happen to be something very
great) strike us rather as part of a supposed mental alienism, and as
such, naturally suspicious. It is rather disgraceful than otherwise
to have your music teacher in love with you, and critical friends will
never quite banish the suspicion that you have encouraged him.
Public-domain text, read in full here on John Shaqi.
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