The evening of the concert came at last, and, as the papers stated the
next morning, “the large hall was crowded to its utmost capacity with
a select and highly appreciative audience.” Edith must have played her
part of the performance skillfully, for as he walked out upon the stage,
he was welcomed with an enthusiastic burst of applause, as if he had
been a world-renowned artist. At Edith’s suggestion, her two favorite
nocturnes had been placed first upon the programme; then followed one
of those ballads of Chopin, whose rhythmic din and rush sweep onward,
beleaguering the ear like eager, melodious hosts, charging in thickening
ranks and columns, beating impetuous retreats, and again uniting
with one grand emotion the wide-spreading army of sound for the
final victory. Besides these, there was one of Liszt’s “Rhapsodies
Hongroises,” an impromptu by Schubert, and several orchestral pieces;
but the greater part of the programme was devoted to Chopin, because
Halfdan, with his great, hopeless passion laboring in his breast, felt
that he could interpret Chopin better than he could any other composer.
He carried his audience by storm. As he retired to the dressing-room,
after having finished the last piece, his friends, among whom Edith and
Mrs. Van Kirk were the most conspicuous, thronged about him, showering
their praises and congratulations upon him. They insisted with much
friendly urging upon taking him home in their carriage; Clara kissed
him, Mrs. Van Kirk introduced him to her lady acquaintances as “our
friend, Mr. Birch,” and Edith held his hand so long in hers that he came
near losing his presence of mind and telling her then and there that he
loved her. As his eyes rested on her, they became suddenly suffused with
tears, and a vast bewildering happiness vibrated through his frame.
At last he tore himself away and wandered aimlessly through the long,
lonely streets. Why could he not tell Edith that he loved her? Was there
any disgrace in loving? This heavenly passion which so suddenly had
transfused his being, and year by year deadened the substance of his old
self, creating in its stead something new and wild and strange which he
never could know, but still held infinitely dear--had it been sent to
him merely as a scourge to test his capacity for suffering?
Public-domain text, read in full here on John Shaqi.
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