It was late one evening in January that a tug-boat arrived and took the cabin passengers ashore. The moon sailed tranquilly over the deep blue dome of the sky, the stars traced their glittering paths of light from the zenith downward, and it was sharp, bitter cold. Northward over the river lay a great bank of cloud, dense, gray and massive, the spectre of the coming snow-storm. There it lay so huge and fantastically human, ruffling itself up, as fowls do, in defense against the cold. Halfdan walked on at a brisk rate--strange to say, all the street-cars he met went the wrong way--startling every now and then some precious memory, some word or look or gesture of Edith’s which had hovered long over those scenes, waiting for his recognition. There was the great jewel-store where Edith had taken him so often to consult his taste whenever a friend of hers was to be married. It was there that they had had an amicable quarrel over that bronze statue of Faust which she had found beautiful, while he, with a rudeness which seemed now quite incomprehensible, had insisted that it was not. And when he had failed to convince her, she had given him her hand in token of reconciliation--and Edith had a wonderful way of giving her hand, which made any one feel that it was a peculiar privilege to press it--and they had walked out arm in arm into the animated, gas-lighted streets, with a delicious sense of snugness and security, being all the more closely united for their quarrel. Here, farther up the avenue, they had once been to a party, and he had danced for the first time in his life with Edith. Here was Delmonico’s, where they had had such fascinating luncheons together; where she had got a stain on her dress, and he had been forced to observe that her dress was then not really a part of herself, since it was a thing that could not be stained. Her dress had always seemed to him as something absolute and final, exalted above criticism, incapable of improvement. As I have said, Halfdan walked briskly up the avenue, and it was something after eleven when he reached the house which he sought. The great cloud-bank in the north had then begun to expand and stretched its long misty arms eastward and westward over the heavens. The windows on the ground-floor were dark, but the sleeping apartments in the upper stories were lighted. In Edith’s room the inside shutters were closed, but one of the windows was a little down at the top. And as he stood gazing with tremulous happiness up to that window, a stanza from Heine which he and Edith had often read together, came into his head. It was the story of the youth who goes to the Madonna at Kevlar and brings her as a votive offering a heart of wax, that she may heal him of his love and his sorrow. “I bring this waxen image, The image of my heart, Heal thou my bitter sorrow, And cure my deadly smart!” [4]