He paused again. Nature seemed to have a rough struggle in his
rude bosom.
“Damn it, cousin,” cried he, “I’m sorry for what I said. Thou’st
served me right in knocking me down, and I like thee the better
for it. Here’s my hand. Come and live with me, and damme but the
best room in the house, and the best horse in the stable, shall
be at thy service.”
I declare to you I was strongly moved at this instance of nature
breaking her way through such a lump of flesh. I forgave the
fellow in a moment all his crimes of having been born in wedlock
and inheriting my estate. I shook the hand he offered me, to
convince him that I bore him no ill will; and then making my way
through the gaping crowd of toad-eaters, bade adieu to my uncle’s
domains forever. This is the last I have seen or heard of my
cousin, or of the domestic concerns of Doubting Castle.
THE STROLLING MANAGER
As I was walking one morning with Buckthorne, near one of the
Principal theaters, he directed my attention to a group of those
equivocal beings that may often be seen hovering about the
stage-doors of theaters. They were marvellously ill-favored in
their attire, their coats buttoned up to their chins; yet they
wore their hats smartly on one side, and had a certain knowing,
dirty-gentlemanlike air, which is common to the subalterns of the
drama. Buckthorne knew them well by early experience.
These, said he, are the ghosts of departed kings and heroes;
fellows who sway sceptres and truncheons; command kingdoms and
armies; and after giving way realms and treasures over night,
have scarce a shilling to pay for a breakfast in the morning. Yet
they have the true vagabond abhorrence of all useful and
industrious employment; and they have their pleasures too: one of
which is to lounge in this way in the sunshine, at the
stage-door, during rehearsals, and make hackneyed theatrical
jokes on all passers-by.
Nothing is more traditional and legitimate than the stage. Old
scenery, old clothes, old sentiments, old ranting, and old jokes,
are handed down from generation to generation; and will probably
continue to be so, until time shall be no more. Every hanger-on
of a theater becomes a wag by inheritance, and flourishes about
at tap-rooms and six-penny clubs, with the property jokes of the
green-room.
While amusing ourselves with reconnoitring this group, we noticed
one in particular who appeared to be the oracle. He was a
weather-beaten veteran, a little bronzed by time and beer, who
had no doubt, grown gray in the parts of robbers, cardinals,
Roman senators, and walking noblemen.
Public-domain text, read in full here on John Shaqi.
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