“There’s something in the set of that hat, and the turn of that
physiognomy, that is extremely familiar to me,” said Buckthorne.
He looked a little closer. “I cannot be mistaken,” added he,
“that must be my old brother of the truncheon, Flimsey, the
tragic hero of the strolling company.”
It was he in fact. The poor fellow showed evident signs that
times went hard with him; he was so finely and shabbily dressed.
His coat was somewhat threadbare, and of the Lord Townly cut;
single-breasted, and scarcely capable of meeting in front of his
body; which, from long intimacy, had acquired the symmetry and
robustness of a beer-barrel. He wore a pair of dingy white
stockinet pantaloons, which had much ado to reach his waistcoat;
a great quantity of dirty cravat; and a pair of old
russet-colored tragedy boots.
When his companions had dispersed, Buckthorne drew him aside and
made Himself known to him. The tragic veteran could scarcely
recognize him, or believe that he was really his quondam
associate “little gentleman Jack.” Buckthorne invited him to a
neighboring coffee-house to talk over old times; and in the
course of a little while we were put in possession of his history
in brief.
He had continued to act the heroes in the strolling company for
some time after Buckthorne had left it, or rather had been driven
from it so abruptly. At length the manager died, and the troop
was thrown into confusion. Every one aspired to the crown; every
one was for taking the lead; and the manager’s widow, although a
tragedy queen, and a brimstone to boot, pronounced it utterly
impossible to keep any control over such a set of tempestuous
rascallions.
Upon this hint I spoke, said Flimsey—I stepped forward, and
offered my services in the most effectual way. They were
accepted. In a week’s time I married the widow and succeeded to
the throne. “The funeral baked meats did coldly furnish forth the
marriage table,” as Hamlet says. But the ghost of my predecessor
never haunted me; and I inherited crowns, sceptres, bowls,
daggers, and all the stage trappings and trumpery, not omitting
the widow, without the least molestation.
I now led a flourishing life of it; for our company was pretty
strong And attractive, and as my wife and I took the heavy parts
of tragedy, it was a great saving to the treasury. We carried off
the palm from all the rival shows at country fairs; and I assure
you we have even drawn full houses, and being applauded by the
critics at Bartlemy fair itself, though we had Astley’s troupe,
the Irish giant, and “the death of Nelson” in wax-work to contend
against.
Public-domain text, read in full here on John Shaqi.
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