When I applied at the publisher’s house there was something in
the loftiness of my air, and the dinginess of my dress, that
struck the clerks with reverence. They doubtless took me for some
person of consequence, probably a digger of Greek roots, or a
penetrator of pyramids. A proud man in a dirty shirt is always an
imposing character in the world of letters; one must feel
intellectually secure before he can venture to dress shabbily;
none but a great scholar or a great genius dares to be dirty; so
I was ushered at once to the sanctum sanctorum of this high
priest of Minerva.
The publishing of books is a very different affair now-a-days
from what it was in the time of Bernard Lintot. I found the
publisher a fashionably-dressed man, in an elegant drawing-room,
furnished with sofas and portraits of celebrated authors, and
cases of splendidly bound books. He was writing letters at an
elegant table. This was transacting business in style. The place
seemed suited to the magnificent publications that issued from
it. I rejoiced at the choice I had made of a publisher, for I
always liked to encourage men of taste and spirit.
I stepped up to the table with the lofty poetical port that I had
Been accustomed to maintain in our village circle; though I threw
in it something of a patronizing air, such as one feels when
about to make a man’s fortune. The publisher paused with his pen
in his hand, and seemed waiting in mute suspense to know what was
to be announced by so singular an apparition.
I put him at his ease in a moment, for I felt that I had but to
come, see, and conquer. I made known my name, and the name of my
poem; produced my precious roll of blotted manuscript, laid it on
the table with an emphasis, and told him at once, to save time
and come directly to the point, the price was one thousand
guineas.
I had given him no time to speak, nor did he seem so inclined. He
Continued looking at me for a moment with an air of whimsical
perplexity; scanned me from head to foot; looked down at the
manuscript, then up again at me, then pointed to a chair; and
whistling softly to himself, went on writing his letter.
I sat for some time waiting his reply, supposing he was making up
his mind; but he only paused occasionally to take a fresh dip of
ink; to stroke his chin or the tip of his nose, and then resumed
his writing. It was evident his mind was intently occupied upon
some other subject; but I had no idea that any other subject
should be attended to and my poem lie unnoticed on the table. I
had supposed that every thing would make way for the Pleasures of
Melancholy.
Public-domain text, read in full here on John Shaqi.
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