Every time they talked the matter over they increased the price.
They reckoned up the great sums given for the poems of certain
popular writers, and determined that mine was worth more than all
put together, and ought to be paid for accordingly. For my part,
I was modest in my expectations, and determined that I would be
satisfied with a thousand guineas. So I put my poem in my pocket
and set off for London.
My journey was joyous. My heart was light as my purse, and my
head full of anticipations of fame and fortune. With what
swelling pride did I cast my eyes upon old London from the
heights of Highgate. I was like a general looking down upon a
place he expects to conquer. The great metropolis lay stretched
before me, buried under a home-made cloud of murky smoke, that
wrapped it from the brightness of a sunny day, and formed for it
a kind of artificial bad weather. At the outskirts of the city,
away to the west, the smoke gradually decreased until all was
clear and sunny, and the view stretched uninterrupted to the blue
line of the Kentish Hills.
My eye turned fondly to where the mighty cupola of St. Paul’s
swelled Dimly through this misty chaos, and I pictured to myself
the solemn realm of learning that lies about its base. How soon
should the Pleasures of Melancholy throw this world of
booksellers and printers into a bustle of business and delight!
How soon should I hear my name repeated by printers’ devils
throughout Pater Noster Row, and Angel Court, and Ave Maria Lane,
until Amen corner should echo back the sound!
Arrived in town, I repaired at once to the most fashionable
publisher. Every new author patronizes him of course. In fact, it
had been determined in the village circle that he should be the
fortunate man. I cannot tell you how vaingloriously I walked the
streets; my head was in the clouds. I felt the airs of heaven
playing about it, and fancied it already encircled by a halo of
literary glory.
As I passed by the windows of bookshops, I anticipated the time
when my work would be shining among the hotpressed wonders of the
day; and my face, scratched on copper, or cut in wood, figuring
in fellowship with those of Scott and Byron and Moore.
Public-domain text, read in full here on John Shaqi.
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