Tales of a Vanishing RiverReed, Earl H. (Earl Howell)
History
Tales of a Vanishing River
Reed, Earl H. (Earl Howell)
Illinois -- Social life and customs -- Fiction; Kankakee River (Ind. and Ill.) -- Fiction; Short stories, American
The cradle had guarded the infancy of many little furred families after
its first usefulness had ceased, for there were cosy tangled nests of
shredded cotton and woolen material among its mixed contents.
Moths had worked sad havoc in the row of worn out garments that
festooned the cross beams. Some rusty muskrat traps and obsolete fire
arms were heaped in one corner, with discarded hats and boots.
Close to the roof, near the edge of the unprotected stairway, was a tall
silent clock. It was very old. Most of the veneering had chipped away
from its woodwork, parts of the enameled and grotesquely ornamented dial
had scaled off, and across the scarred face its one crippled hand
pointed to the figure seven. The worn mechanism had not pulsated for
many years.
Innumerable tiny fibers connected the top and sides of the old clock
with the sloping roof timbers, and a sinister watcher, hairy and
misshapen—crouched within the mouth of a tubular web above the dial.
Tenuous highways spanned the spaces between the rafters. Gauzy filaments
led away into obscurities, and gossamer shreds hung motionless from the
upper gloom. There were mazes of webs, woven by generations of spiders,
laden with impalpable dust, and tenantless. The patient spinners had
lived their little day and left their airy tissues to the mercy of the
years. Like flimsy relics of human endeavor, the frail structures
awaited the inevitable.
There was an impression of mistiness and haziness in the wandering and
broken fibers, and the filmy labyrinths—as of a brain filled with
fancies that were inchoate and confused—an abode of idle dreams.
The web spanned attic pictured a mind, inert and fettered by dogma and
tradition, in which existence is passive, and where vital currents are
stilled—where light is instinctively excluded and intrusion of
extraneous ideas is resented. Occupants of endowed chairs in old
universities, pedantic art classicists, smug dignitaries of established
churches, and other guardians of embalmed and encrusted conclusions, are
apt to have such attics. Like the misshapen watcher within the tubular
web above the dial, they crouch in musty seclusion.
I opened the queer looking bed, that had evidently been made up a long
time, and lay for half an hour or so, trying to read by the light of the
sputtering candle. The subtle spell of the old attic at length overcame
the charm of my author, and I gave myself over to a troop of thronging
fancies.
Although the invisible inmate of the muff gave a life accent to the
room, the quiet was oppressive. A sense of seclusion from realities
pervaded the human belongings. Intimate personal things, that only
vanished hands have touched, seem to possess an indefinable
remoteness—as if they pertained to something detached and far away—and
lingered in an atmosphere of spiritual loneliness.
Public-domain text, read in full here on John Shaqi.
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