Tales of a Vanishing RiverReed, Earl H. (Earl Howell)
History
Tales of a Vanishing River
Reed, Earl H. (Earl Howell)
Illinois -- Social life and customs -- Fiction; Kankakee River (Ind. and Ill.) -- Fiction; Short stories, American
In the darkness of still nights pale phantom currents may creep into the
denuded winding channels, guided by the unseen Power that directs the
waters, and fade into the dim mists before the dawn.
Under the brooding care of the Great Spirit for the departed children,
ghostly war plumes may flutter softly among the leaves and tassels of
the corn that wave over the Red Man’s lost domain, when the autumn winds
whisper in the star-lit fields, for the land is peopled with shadows,
and has passed into the realm of legend, romance and fancy.
II
THE SILVER ARROW
The story of the arrow was slowly unravelled from the tangled thread of
interrupted narrative related to us by old Waukena. She sat in her
little log hut among the tall poplars and birches, beyond the farther
end of Whippoorwill Bayou, and talked of the arrow during our visits,
but never in a way that enabled us to connect the scattered fragments of
the tale into proper sequence until we had heard various parts of it
many times.
She was a remnant of the Pottowattomies. She did not know when she was
born, but, from her knowledge of events that happened in her lifetime,
the approximate dates of which we knew, she must have been over ninety.
Her solitary life and habitual silence had developed a taciturnity that
steals upon those who dwell in the stillness of the forest. There was a
far away look in the old eyes, and a tinge of bitterness in her low
voice, as she talked sadly in her broken English, of the days that were
gone.
She cherished the traditions of her people, and their sorrows lingered
in her heart. Like shriveled leaves clinging to withered boughs, her
memories seemed to rustle faintly when a new breath of interest touched
them, and from among these rustlings we culled the arrow’s story.
The little cabin was very old. Its furnishings were in keeping with its
occupant and sufficient for her simple needs. There was a rough stone
fireplace at one end of the single room. A flat projecting boulder on
one side of its interior provided a shelf for the few cooking utensils.
They were hung on a rickety iron swinging arm over the wood fire when in
use. A much worn turkey wing, with charred edges, lay near the hearth,
with which the scattered ashes were dusted back into the fireplace. A
bedstead, constructed of birch saplings, occupied the other end of the
room. Several coon and fox skins, neatly sewed together, and a couple of
gray blankets, laid over some rush mats, completed the sleeping
arrangements. With the exception of a few bunches of bright hued
feathers, stuck about in various chinks, the rough walls were bare of
ornament.
The other furniture consisted of a couple of low stools, a heavy rocking
chair and a small pine table. A kerosene lantern and some candles
illumined the squalid interior at night.
Public-domain text, read in full here on John Shaqi.
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