Tales of Aztlan; The Romance of a Hero of Our Late Spanish-American War, Incidents of Interest from the Life of a Western Pioneer and Other TalesHartmann, George
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Tales of Aztlan; The Romance of a Hero of Our Late Spanish-American War, Incidents of Interest from the Life of a Western Pioneer and Other Tales
Hartmann, George
Short stories, American; Spanish-American War, 1898 -- Fiction; Western stories
When I came to the house of Don Reyes Alvarado, who was my chum and
bosom friend, and also of like age, he gave me a pleasant surprise. He
informed me that there would be a dance at the Hancho Indian's
settlement that same night, one of those ceremonial events which I had
long desired to attend in order to study the customs and habits of
these descendants of the Aztecs. Their social dances are inspired by
ancient customs and are the outbursts of the dormant, barbaric rites of
a religion which these people were forced to abandon by their
conquering masters, the Spaniards. Outwardly and visibly Christians,
taught to observe the customs of the Roman Catholic Church and to
conform to its ritual, these people, who were the scum and overflow
from villages of Pueblo Indians, were yet Aztec heathens in the
consciousness of their souls and inclination of their hearts.
Shortly after sunset we were on our way to the sand dunes of the Rio
Grande, where these poor outcasts had squatted and built their humble
homes of terron, or sod, which they cut from the alkali-laden soil of
the vega. They held their dance orgies in the estufa, the meeting house
of the tribe. This was a long, low structure built of adobe, probably a
hundred feet long and nine feet wide, inside measure. The building was
so low that I could easily lay the palm of my uplifted hand against the
ceiling of the roof, which was made of beams of cottonwood, covered
with sticks off which the bark had been carefully peeled, the whole had
then been covered with clay a foot in depth. The floor of this long,
low tunnel-like room was made of mud which had been skilfully tampered
with an admixture of short cut straw and had been beaten into the
proper degree of hardness. Dampened at intervals, this floor was quite
serviceable to dance on. There were no windows or ventilators in this
hall and only one door at the end. This was made out of a slab of hewn
wood and was just high and wide enough to admit a good sized dog. The
hall was brilliantly lighted by a dozen mutton tallow dips, which were
distributed about the room in candelabra of tin, hanging on the
mud-plastered and whitewashed walls. The orchestra consisted of one
piece only, an ancient war drum, or tombe, and was located at the
farther end of the room. It was beaten by an Indian, who was, if
possible, more ancient than the drum. As we approached we heard the
muffled sound of the drum within. "Caramba, amigo!" said my friend;
"they are at it already, and judging from the sound, they are very gay
to-night. Madre santissima! I remember that this is a great night for
these Indians, as it is the anniversary of the Noche Triste, which they
celebrate in commemoration of the Aztec's victory over the Spaniards
when the Indians almost wiped their enemies off the face of the earth.
Senor, to tell the truth, rather would I turn my horse's head homeward.
Pray, let us return!" "And why, amigo," I asked. "Because this has
Public-domain text, read in full here on John Shaqi.
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