“Then you don't know much!” shouted the fireman. “I knew years ago, but
'e kept 'er stowed away somewhere up above, an' last night was the first
time I ever see 'er. It was 'er shriek wot 'ad reached me, reached me
through the smoke. I don't take much stock in Chink gals in general, but
this one's mother was no Chink, I'll swear. She was just as pretty as a
bloomin' ivory doll, an' as little an' as white, and that old swine Kwen
Lung 'ad tore the dress off of 'er shoulders with a bloody great whip!”
Harley was leaning forward in his seat now, intent upon the man's
story, and although I could not get rid of the idea that our friend
was relating the events of a particularly unpleasant opium dream,
nevertheless I was fascinated by the strange story and by the strange
manner of its telling.
“I saw the blood drip from 'er bare shoulders, mates,” the man continued
huskily, and with his big dirty hands he strove to illustrate his words.
“An' that old yellow devil lashed an' lashed until the poor gal was past
screamin'. She just sunk down on the floor all of a 'cap, moanin' and
moanin'--Gawd! I can 'ear 'er moanin' now!”
“Meanwhile, 'ere's me with murder in me 'eart lyin' there watchin',
an' I can't speak, no! I can't even curse the yellow rat, an' I can't
move--not a 'and, not a foot! Just as she fell there right up against
the joss an' 'er blood trickled down on 'is gilded feet, old Ma Lorenzo
comes staggerin' in. I remember all this as clear as print, mates,
remember it plain, but wot 'appened next ain't so good an' clear.
Somethink seemed to bust in me 'ead. Only just before I went off, the
winder--there's only one in the room--was smashed to smithereens an'
somebody come in through it.”
“Are you sure?” said Harley eagerly. “Are you sure?”
That he was intensely absorbed in the story he revealed by a piece of
bad artistry, very rare in him. He temporarily forgot his dialect. Our
marine friend, however, was too much taken up with his own story to
notice the slip, and:
“Dead sure!” he shouted.
He suddenly twisted around in his chair.
“Tell me I was dreamin', mate,” he invited, “and if you ain't dreamin'
in 'arf a tick it won't be because I 'aven't put yer to sleep!”
“I ain't arguin', old son,” said Harley soothingly. “Get on with your
yarn.”
“Ho!” said the fireman, mollified, “so long as you ain't. Well, then,
it's all blotted out after that. Somebody come in at the winder, but 'oo
it was or wot it was I can't tell yer, not for fifty quid. When I woke
up, which is about 'arf an hour before you see me, I'm all alone--see?
There's no sign of Kwen Lung nor the gal nor old Ma Lorenzo nor anybody.
I sez to meself, wot you keep on sayin'. I sez, 'You're dreamin',
Bill.'”
“But I don't think you was,” declared Harley. “Straight I don't.”
“I know I wasn't!” roared the fireman, and banged the table lustily. “I
see 'er blood on the joss an' on the floor where she lay!”
“This morning?” I interjected.
Public-domain text, read in full here on John Shaqi.
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