“This mornin', in the light of the little oil lamp where old Ma Lorenzo
'ad roasted the pills! It's all still an' quiet an' I feel more dead
than alive. I'm goin' to give 'er a hail, see? When I sez to myself,
'Bill,' I sez, 'put out to sea; you're amongst Kaffirs, Bill.' It
occurred to me as old Kwen Lung might wonder 'ow much I knew. So I beat
it. But when I got in the open air I felt I'd never make my lodgin's
without a tonic. That's 'ow I come to meet you, mates.
“Listen--I'm away in the old Seahawk in the mornin', but I'll tell you
somethink. That yellow bastard killed his daughter last night! Beat 'er
to death. I see it plain. The sweetest, prettiest bit of ivory as Gawd
ever put breath into. If 'er body ain't in the river, it's in the 'ouse.
Drunk or sober, I never could stand the splits, but mates”--he stood
up, and grasping me by the arm, he drew me across the room where he also
seized Harley in his muscular grip--“mates,” he went on earnestly, “she
was the sweetest, prettiest little gal as a man ever clapped eyes on.
One of yer walk into Limehouse Station an' put the koppers wise. I'd
sleep easier at sea if I knew old Kwen Lung 'ad gone west on a bloody
rope's end.”
II
AT KWEN LUNG'S
For fully ten minutes after the fireman had departed Paul Harley sat
staring abstractedly in front of him, his cold pipe between his teeth,
and knowing his moods I intruded no words upon this reverie, until:
“Come on, Knox,” he said, standing up suddenly, “I think this matter
calls for speedy action.”
“What! Do you think the man's story was true?”
“I think nothing. I am going to look at Kwen Lung's joss.”
Without another word he led the way downstairs and out into the deserted
street. The first gray halftones of dawn were creeping into the sky,
so that the outlines of Limehouse loomed like dim silhouettes about
us. There was abundant evidence in the form of noises, strange and
discordant, that many workers were busy on dock and riverside, but the
streets through which our course lay were almost empty. Sometimes a
furtive shadow would move out of some black gully and fade into a dimly
seen doorway in a manner peculiarly unpleasant and Asiatic. But we met
no palpable pedestrian throughout the journey.
Before the door of a house in Pennyfields which closely resembled that
which we had left in Wade Street, in that it was flatly uninteresting,
dirty and commonplace, we paused. There was no sign of life about the
place and no lights showed at any of the windows, which appeared as
dim cavities--eyeless sockets in the gray face of the building, as dawn
proclaimed the birth of a new day.
Harley seized the knocker and knocked sharply. There was no response,
and he repeated the summons, but again without effect. Thereupon, with a
muttered exclamation, he grasped the knocker a third time and executed a
veritable tattoo upon the door. When this had proceeded for about half a
minute or more:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account