He looked up from the perusal of Ronald’s telegram with this memory in
his mind. Now at last his dream was coming true! His boy would taste
of the joys that had mocked his thwarted youth and his dull gray
middle-age. And it was fitting that they should be realized in Ronald’s
destiny. Ronald was made to take happiness boldly by the hand and lead
it home like a bridegroom. He had the carriage, the confidence, the high
faith in his fortune, that compel the wilful stars. And, thanks to
the Buckle, he would have the exceptional setting, the background of
material elegance, that became his conquering person. Since Mr. Grew
had retired from business his investments had prospered, and he had been
saving up his income for just such a contingency. His own wants were
few: he had transferred the Wingfield furniture to Brooklyn, and his
sitting-room was a replica of that in which the long years of his
married life had been spent. Even the florid carpet on which Ronald’s
tottering footsteps had been taken was carefully matched when it
became too threadbare. And on the marble centre-table, with its
chenille-fringed cover and bunch of dyed pampas grass, lay the
illustrated Longfellow and the copy of Ingersoll’s lectures which
represented literature to Mr. Grew when he had led home his bride. In
the light of Ronald’s romance, Mr. Grew found himself re-living, with
a strange tremor of mingled pain and tenderness, all the poor prosaic
incidents of his own personal history. Curiously enough, with this new
splendor on them they began to emit a small faint ray of their own. His
wife’s armchair, in its usual place by the fire, recalled her placid
unperceiving presence, seated opposite to him during the long drowsy
years; and he felt her kindness, her equanimity, where formerly he had
only ached at her obtuseness. And from the chair he glanced up at the
large discolored photograph on the wall above, with a brittle brown
wreath suspended on a corner of the frame. The photograph represented
a young man with a poetic necktie and untrammelled hair, leaning
negligently against a Gothic chair-back, a roll of music in his hand;
and beneath was scrawled a bar of Chopin, with the words: “_ Adieu,
Adele_.”
Public-domain text, read in full here on John Shaqi.
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