Tales of My Time, Vol. 1 (of 3): Who Is She?Scargill, William Pitt
General
Tales of My Time, Vol. 1 (of 3): Who Is She?
Scargill, William Pitt
England -- Social life and customs -- 19th century -- Fiction
To work she set, and what with rummaging out, scrubbing up, turning,
twisting, nailing, scouring, dying, and borrowing, things were put in
some sort of order, and accommodation provided for a numerous company
at breakfast. It was the custom of Lady Goodman's day, for the bride
and bridegroom to sit in full dress during a week, and receive
congratulations from all the neighbouring gentry: and sorely did she
regret the impossibility of reviving so venerable a pageant on the
present happy occasion; but there was no option, and fortunately the
fashion of setting out in a chaise and four, relieved her from the
mortification of confessing that the festivities of a hymeneal scene
could not be protracted under her roof beyond the cake-cutting hour.
The waste suites of unfurnished apartments were decked out with green
branches, and flowers disposed in arches and alcoves, so that Miss
Ferret converted the whole house into one mighty bower. She rooted out
some old moth-eaten banners, which were kept as an heir-loom in the
attic story, where, reposing under lock and key, they bore mouldering
testimony to the ancestral valour of Sir Roger's blood; also a stand of
colours which had been presented to his father, who raised a regiment
of Yeomanry; some Free-Masonry insignia, which glittered with
embroidery of tarnished gold and silver; elks' horns, which had been
sent as a curiosity; two American bows; a pair of snow shoes; some
halberts, and a trumpet which were taken in the rebellion of
forty-five, with other articles which had not seen the light for years,
but now came forward, however incongruously, to vary the sylvan
decorations, and were judiciously commingled with family portraits in
massive frames; an ivory ship, which, covered with a glass bell, made a
great figure; a canoe; two plaster-of-paris cupids; a leaden fawn;
Harlequin and Columbine; Neptune and Hebe of the same material, and
King William on horseback, well executed in bronze; so as altogether to
produce an imposing and animated effect, along a vista of the entire
front, including corridors, and enliven the "eternal shade" which would
otherwise have resulted from the great quantity of laurel, spruce, fir,
and other evergreens forced into company to fill the void.
Public-domain text, read in full here on John Shaqi.
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