Note: The author, Algernon Bertram Freeman-Mitford (1837-1916), Lord Redesdale, was in the British Foreign Service as a young man. He was assigned to the legation in Japan for several years and acquired a life-long fascination with Japanese culture. This book has been a standard source of information about Japanese folklore and customs since its original publication in 1871 and has been in print ever since. Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 13015-h.htm or 13015-h.zip: (https://www.gutenberg.org/1/3/0/1/13015/13015-h/13015-h.htm) or (https://www.gutenberg.org/1/3/0/1/13015/13015-h.zip) TALES OF OLD JAPAN by LORD REDESDALE, G.C.V.O., K.C.B. Formerly Second Secretary to the British Legation in Japan With Illustrations Drawn and Cut on Wood by Japanese Artists 1910 [Illustration: THE RÔNINS INVITE KÔTSUKÉ NO SUKÉ TO PERFORM HARA-KIRI.] PREFACE In the Introduction to the story of the Forty-seven Rônins, I have said almost as much as is needful by way of preface to my stories. Those of my readers who are most capable of pointing out the many shortcomings and faults of my work, will also be the most indulgent towards me; for any one who has been in Japan, and studied Japanese, knows the great difficulties by which the learner is beset. For the illustrations, at least, I feel that I need make no apology. Drawn, in the first instance, by one Ôdaké, an artist in my employ, they were cut on wood by a famous wood-engraver at Yedo, and are therefore genuine specimens of Japanese art. Messrs. Dalziel, on examining the wood blocks, pointed out to me, as an interesting fact, that the lines are cut with the grain of the wood, after the manner of Albert Dürer and some of the old German masters,--a process which has been abandoned by modern European wood-engravers. It will be noticed that very little allusion is made in these Tales to the Emperor and his Court. Although I searched diligently, I was able to find no story in which they played a conspicuous part. Another class to which no allusion is made is that of the Gôshi. The Gôshi are a kind of yeomen, or bonnet-lairds, as they would be called over the border, living on their own land, and owning no allegiance to any feudal lord. Their rank is inferior to that of the Samurai, or men of the military class, between whom and the peasantry they hold a middle place. Like the Samurai, they wear two swords, and are in many cases prosperous and wealthy men claiming a descent more ancient than that of many of the feudal Princes. A large number of them are enrolled among the Emperor's body-guard; and these have played a conspicuous part in the recent political changes in Japan, as the most conservative and anti-foreign element in the nation. With these exceptions, I think that all classes are fairly represented in my stories.