Egypt -- Fiction; Mystery and detective stories; Short stories
In this fashion I came at last to the shaft, and there I saw the tools
which I had left at the end of my day's toil.
Looking around me, I saw also, with such a pang of horror as I cannot
hope to convey to you, that the ring of green eyes was now unbroken
about me.
And it was closing in.
Nameless feline creatures were crowding silently to the edge of the
pit, some preparing to spring down upon me where I stood. A voice
seemed to speak in my brain; it spoke of capitulation, telling me to
accept defeat, lest, resisting, my fate be the fate of Condor.
Peals of shrill laughter rose upon the silence. The laughter was mine.
Filling the night with this hideous, hysterical merriment, I was
working feverishly with pick and with shovel filling in the shaft.
The end? The end is that I awoke, in the morning, lying, not on my
bed, but outside on the plateau, my hands torn and bleeding and every
muscle in my body throbbing agonisingly. Remembering my dream--for
even in that moment of awakening I thought I had dreamed--I staggered
across to the valley of the excavation.
Condor's shaft was reclosed to the top.
VI
POMEGRANATE FLOWER
I
There are not so many _Antereeyeh_ (story-tellers) in Cairo now (said
my acquaintance, Hassan of the Scent Bazaar, staring, reflectively, at
two American ladies paying fabulous prices for the goods of his
mendacious neighbor on the left). They have adopted other, and more
lucrative, professions; but in my father's time, it was an excellent
business.
For one thing, the stories which you call the _Arabian Nights_ are
no longer recited, because they are said to be unlucky. This has
considerably reduced the story-teller's stock-in-trade; for unless
a man is blessed with much originality, he cannot well refrain from
using in his narratives some part of the thousand and one tales.
To this day, however, there is in the city of Cairo a tale-teller of
much repute. With his tale-telling he combines the profession of a
barber; and like the famous barber of the _Arabian Nights_ bears the
nickname Es-Samit (the Silent). An old man is this Es-Samit, who no
more will know his ninetieth year, of dark countenance, and white
beard and eyebrows, with small ears like the ears of a gazelle, and
a long nose like that of a camel, and a haughty aspect. This barber
enjoys every comfort in his declining years by reason of his amusing
manner, and because his ridiculous stories and disclosures respecting
his six brothers (for in all things he resembles, or claims to
resemble, his famous namesake) divert all who hear them, causing him
whose bosom is contracted with woe to swoon with excessive laughter,
and filling the saddest heart with joy; such is the absurd loquacity
and impertinence of the barber called Es-Samit, the Silent.
Public-domain text, read in full here on John Shaqi.
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