Such notes are always dictated so rapidly that it is impossible to do anything towards understanding them as you go. You have to write your hardest to keep up. The beauty of this, from one point of view, is that, if you miss a sentence, you have lost the thread of the whole thing, and it is useless to attempt to take it up again at once. The only plan is to wait for some perceptible break in the flow of words, and dash in like lightning. It is much the same sort of thing as boarding a bus when in motion. And so you can take a long rest, provided you are in an obscure part of the room. In passing, I might add that a very pleasing indoor game can be played by asking the master, 'what came after so-and-so?' mentioning a point of the oration some half-hour back. This always provides a respite of a few minutes while he is thinking of some bitter repartee worthy of the occasion, and if repeated several times during an afternoon may cause much innocent merriment. Of course, the real venom that lurks hid within notes from dictation does not appear until the time for examination arrives. Then you find yourself face to face with sixty or seventy closely and badly written pages of a note-book, all of which must be learnt by heart if you would aspire to the dizzy heights of half-marks. It is useless to tell your examiner that you had no chance of getting up the subject. 'Why,' he will reply, 'I gave you notes on that very thing myself.' 'You did, sir,' you say, as you advance stealthily upon him, 'but as you dictated those notes at the rate of two hundred words a minute, and as my brain, though large, is not capable of absorbing sixty pages of a note-book in one night, how the suggestively asterisked aposiopesis do you expect me to know them? Ah-h-h!' The last word is a war-cry, as you fling yourself bodily on him, and tear him courteously, but firmly, into minute fragments. Experience, which, as we all know, teaches, will in time lead you into adopting some method by which you may evade this taking of notes. A good plan is to occupy yourself with the composition of a journal, an unofficial magazine not intended for the eyes of the profane, but confined rigidly to your own circle of acquaintances. The chief advantage of such a work is that you will continue to write while the notes are being dictated. To throw your pen down with an air of finality and begin reading some congenial work of fiction would be a gallant action, but impolitic. No, writing of some sort is essential, and as it is out of the question to take down the notes, what better substitute than an unofficial journal could be found? To one whose contributions to the School magazine are constantly being cut down to mere skeletons by the hands of censors, there is a rapture otherwise unattainable in a page of really scurrilous items about those in authority. Try it yourselves, my beamish lads. Think of something really bad about somebody. Write it down and gloat over it. Sometimes,