DICK DONOVAN’S DETECTIVE STORIES.
Post 8vo. illustrated boards, 2_s._ each; cloth, 2_s._ 6_d._ each.
THE MAN-HUNTER.
CAUGHT AT LAST!
TRACKED AND TAKEN.
A DETECTIVE’S TRIUMPHS.
WHO POISONED HETTY DUNCAN?
IN THE GRIP OF THE LAW.
WANTED!
LINK BY LINK.
FROM INFORMATION RECEIVED.
SUSPICION AROUSED
DARK DEEDS.
RIDDLES READ.
Crown 8vo. cloth extra, 3_s._ 6_d._ each; post 8vo. illustrated boards,
2_s._ each; cloth limp, 2_s._ 6_d._ each.
TRACKED TO DOOM. With 6 Illustrations by GORDON BROWNE.
THE MAN FROM MANCHESTER. With 23 Illustrations by J. H. RUSSELL.
THE MYSTERY OF JAMAICA TERRACE.
THE CHRONICLES OF MICHAEL DANEVITCH.
Crown 8vo. cloth, 3_s._ 6_d._ each.
THE RECORDS OF VINCENT TRILL.
TALES OF TERROR.
London: CHATTO & WINDUS, 111 St. Martin’s Lane, W.C.
TALES OF TERROR
PRINTED BY
SPOTTISWOODE AND CO., NEW-STREET SQUARE
LONDON
TALES OF TERROR
BY
DICK DONOVAN
AUTHOR OF
‘A DETECTIVE’S TRIUMPHS’ ‘THE RECORDS OF VINCENT TRILL’
ETC.
[Illustration]
LONDON
CHATTO & WINDUS
1899
CONTENTS
PAGE
I. THE WOMAN WITH THE ‘OILY EYES’ 1
II. THE STORY OF ANNETTE: BEING THE SEQUEL TO
THE WOMAN WITH THE ‘OILY EYES’ 41
III. THE CORPSE LIGHT 51
IV. THE RED LILY 66
V. THE PIRATE’S TREASURE 95
VI. THE LEGEND OF WOLFSPRING 117
VII. THE WHITE RAVEN 131
VIII. WITH FIRE AND DEATH 144
IX. THE SPECTRE OF RISLIP ABBEY 168
X. THE CAVE OF BLOOD 180
XI. A NIGHT OF HORROR 207
XII. THE ASTROLOGER 225
XIII. THE DANCE OF THE DEAD 243
XIV. THE MYSTIC SPELL 256
XV. THE DOOMED MAN 291
TALES OF TERROR
I
THE WOMAN WITH THE ‘OILY EYES’
THE STORY AS TOLD BY DR. PETER HASLAR, F.R.C.S.LOND.
Although often urged to put into print the remarkable story which
follows I have always strenuously refused to do so, partly on account
of personal reasons and partly out of respect for the feelings of the
relatives of those concerned. But after much consideration I have come
to the conclusion that my original objections can no longer be urged.
The principal actors are dead. I myself am well stricken in years, and
before very long must pay the debt of nature which is exacted from
everything that lives.
Public-domain text, read in full here on John Shaqi.
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