Robert promised to observe strictly the last commands of his old
friend, who shortly after closed his eyes. Scarcely had the report of
Willibald’s sudden death spread, when old and young came to ascertain
the truth. The mayor was more pleased with this turn of the affair than
any other; for the indifference with which the prisoner had received
the news of his approaching promotion to the funeral pile, induced
his worship to suppose the old bag-piper might some fine day be found
invisible in his prison, or rather be found not there at all; or the
cunning wizard, being at the stake, might have caused a wisp of straw
to burn instead of his person, to the eternal shame of the court of
Neisse. He therefore ordered the corpse to be buried as speedily as
possible, as no sentence to burn the body had yet been pronounced. An
unhallowed corner of the churchyard, close to the wall, was the place
assigned for poor Willibald’s resting-place. The jailor, as the lawful
heir of the deceased prisoner, having examined his property, asked what
should become of the bag-pipe, as a _corpus delicti_.
Robert, who was present, was on the point to make his request, when the
mayor, full of zeal, thus pronounced his sentence:
‘To avoid every possible mischief, this wicked, worthless tool shall
be buried together with its master.’ So they put it into the coffin at
the side of the corpse, and early in the morning pipe and piper were
carried away and buried.
But strange things happened in the following night. The watchmen on the
tower were looking out, according to the custom of the age, to give the
alarm in case of fire in the surrounding country, when about midnight
they saw, by the light of the moon, Willibald rising out of his tomb
near the churchyard wall. He held his bag-pipe under his arm, and
leaning against a high tombstone upon which the moon shed her brightest
rays he began to blow, and fingered the pipes just as he was accustomed
to do when he was alive.
While the watchmen, astonished at this sight, gazed wisely on one
another, many other graves opened; their skeleton-inhabitants peeped
out with their bare skulls, looked about, nodded to the measure, rose
afterwards wholly out of their coffins, and moved their rattling limbs
into a nimble dance. At the church windows, and the grates of the
vaults, other empty eye-holes stared on the dancing place: the withered
arms began to shake the iron gates, till locks and bolts sprung off,
and out came the skeletons, eager to mingle in the dance of the dead.
Now the light dancers stilted about, over the hillocks and tombstones,
and whirled around in a merry waltz, that the shrouds waved in the wind
about the fleshless limbs, until the church clock struck twelve, when
all the dancers, great and small, returned to their narrow cells; the
player took his bag-pipe under his arm, and likewise returned to his
vacant coffin.
Public-domain text, read in full here on John Shaqi.
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