Tales of the birdsFowler, W. Warde (William Warde)
General
Tales of the birds
Fowler, W. Warde (William Warde)
Birds; Birds -- Juvenile literature
One morning he got up after a restless night, in which his poor brain
had been complaining as usual without being taken any notice of, and
settled himself down in the parlour after breakfast with the cantata,
feeling worried and tired both in his body and mind. With great labour
and trouble he finished the last chorus of his first part, and uttered a
sigh of relief. The next thing to be done was to write the first piece
of the second part, which was to be an air for a single voice, and was
to be sung at the concert by one of the best singers in the country. All
the rest of the cantata had been thought out carefully before he began
to write; but this song, for which beautiful words were chosen from an
old poet, had never worked itself out in his brain so as to satisfy him.
And now the poor brain was called upon for inspiration, just at a time
when it was hardly fit even to do clerk’s work.
He tried to spur it up with a pipe of tobacco, but not a bit would it
budge. Then he took a dose of _sal volatile_; but the effect of it only
lasted a few minutes, and then he felt even more stupid than before.
Then he opened the window and looked out into their little back-garden,
just as a gleam of sunshine shot down through a murky sky. This made him
feel a little better, and he returned to his desk, and sat for a few
moments looking at the words which he was to set to music, feeling
almost as if he were now going to make a little way. But the sunshine
had also made the canary in the window feel a little warm-hearted, and
it burst out into such a career of song, that the room seemed to be
echoing all over with its strains. And all his own music fled at once
out of the distracted composer’s head.
“You little noisy fiend!” he cried angrily, “putting in your miserable
little twopenny pipe, when a poor human artist is struggling to sing.
Don’t you know, you little wretch, that art is long and time is
fleeting?”
He jumped up, took down the cage with an ungentle hand, and carried it
into another room, where he drew a heavy shawl over it and shut the
door. The canary’s song was stifled, but the musician’s song was not a
bit the better for it. And after a while there came another annoyance.
The house was small and not very solidly built, and though the room
where he was at work did not look out on the street, any street-calls,
bands, hurdy-gurdys, or such like noise-making enemies, could be heard
there quite distinctly. This time it was a street-boy whistling a tune;
it was not a bad tune, and it was whistled with a good heart; indeed the
boy put so much energy into his performance, that he must have been in
very high spirits. And why did he stop there so long? Generally they
passed by, and the tails of their tunes disappeared in the distance, or
they turned down the next street. But this one was clearly stopping
there on purpose to annoy the composer.
Public-domain text, read in full here on John Shaqi.
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