Tales of the birdsFowler, W. Warde (William Warde)
General
Tales of the birds
Fowler, W. Warde (William Warde)
Birds; Birds -- Juvenile literature
He walked fast, and was soon out of the town and among the lanes. They
were decked with the full bloom of the wild roses, and the meadows were
golden with buttercups; but these the composer did not even see. Birds
sang everywhere, but he did not hear them. He was just conscious that
the sun was shining on him, but his eyes were fixed on the ground, and
his mind was so full of his own troubles that there was no room in it
for anything nicer to enter there. He was thinking that his song would
never be written, for he could not bear to write anything that should be
unworthy of those words, or second-rate as music; and it seemed as if
his brain would never again yield him any music that he could be
satisfied with. “I shall be behindhand,” he thought to himself. “I shall
have to write and say I can’t carry out my undertaking; my one chance
will be lost, and all my hopes with it. I shall lose my reputation and
my pupils, and then there will be nothing left but beggary and a
blighted life!” And he worked himself up into such a dreadful state that
when he was crossing a river by a bridge, it did actually occur to him
whether it would not be as well to jump over the parapet and put an end
to his troubles once for all. His mind was so full of himself that for a
moment he forgot even his wife and child, and all his friends and
well-wishers.
He stood by the parapet for some minutes looking over. The swallows and
sand-martins were gliding up and down, backwards and forwards through
the bridge, catching their food and talking to themselves. A big trout
rose to secure a mayfly from the deep pool below, and sent a circle of
wavelets spreading far and wide. A kingfisher flashed under the bridge,
all blue and green, and shot away noiselessly up the stream; and then a
red cow or two came down to drink, and after drinking stood in the water
up to their knees, and looked sublimely cool and comfortable. And the
river itself flowed on with a gentle rippling talk in the sunshine,
hushing as it entered the deep pool, and passing under the bridge slowly
and almost silently--“like an _andante_ passing into an _adagio_,” said
the musician to himself; and he walked on with eyes no longer fixed on
the ground, for even this little glimpse of beauty from the bridge had
been medicine to the brain, and it wanted more--it wanted to see and to
hear more things that were beautiful and healing.
Public-domain text, read in full here on John Shaqi.
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