Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
But he was not fated to escape so easily. On his melancholy walk to
the railroad station he found that he was being followed by a group,
then by a swarm, and finally by a dense mass of undergraduates. The
word had gone around that a lunatic had passed the entrance
examinations for Yale and attempted to palm himself off as a youth of
eighteen. A fever of excitement permeated the college. Men ran hatless
out of classes, the football team abandoned its practice and joined
the mob, professors’ wives with bonnets awry and bustles out of
position, ran shouting after the procession, from which proceeded a
continual succession of remarks aimed at the tender sensibilities of
Benjamin Button.
“He must be the wandering Jew!”
“He ought to go to prep school at his age!”
“Look at the infant prodigy!”
“He thought this was the old men’s home.”
“Go up to Harvard!”
Benjamin increased his gait, and soon he was running. He would show
them! He _would_ go to Harvard, and then they would regret these
ill-considered taunts!
Safely on board the train for Baltimore, he put his head from the
window. “You’ll regret this!” he shouted.
“Ha-ha!” the undergraduates laughed. “Ha-ha-ha!” It was the biggest
mistake that Yale College had ever made....
V
In 1880 Benjamin Button was twenty years old, and he signalised his
birthday by going to work for his father in Roger Button & Co.,
Wholesale Hardware. It was in that same year that he began “going out
socially”--that is, his father insisted on taking him to several
fashionable dances. Roger Button was now fifty, and he and his son
were more and more companionable--in fact, since Benjamin had ceased
to dye his hair (which was still grayish) they appeared about the same
age, and could have passed for brothers.
One night in August they got into the phaeton attired in their
full-dress suits and drove out to a dance at the Shevlins’ country
house, situated just outside of Baltimore. It was a gorgeous evening.
A full moon drenched the road to the lustreless colour of platinum,
and late-blooming harvest flowers breathed into the motionless air
aromas that were like low, half-heard laughter. The open country,
carpeted for rods around with bright wheat, was translucent as in the
day. It was almost impossible not to be affected by the sheer beauty
of the sky--almost.
“There’s a great future in the dry-goods business,” Roger Button was
saying. He was not a spiritual man--his aesthetic sense was
rudimentary.
“Old fellows like me can’t learn new tricks,” he observed profoundly.
“It’s you youngsters with energy and vitality that have the great
future before you.”
Far up the road the lights of the Shevlins’ country house drifted into
view, and presently there was a sighing sound that crept persistently
toward them--it might have been the fine plaint of violins or the
rustle of the silver wheat under the moon.
Public-domain text, read in full here on John Shaqi.
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