Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
They pulled up behind a handsome brougham whose passengers were
disembarking at the door. A lady got out, then an elderly gentleman,
then another young lady, beautiful as sin. Benjamin started; an almost
chemical change seemed to dissolve and recompose the very elements of
his body. A rigour passed over him, blood rose into his cheeks, his
forehead, and there was a steady thumping in his ears. It was first
love.
The girl was slender and frail, with hair that was ashen under the
moon and honey-coloured under the sputtering gas-lamps of the porch.
Over her shoulders was thrown a Spanish mantilla of softest yellow,
butterflied in black; her feet were glittering buttons at the hem of
her bustled dress.
Roger Button leaned over to his son. “That,” he said, “is young
Hildegarde Moncrief, the daughter of General Moncrief.”
Benjamin nodded coldly. “Pretty little thing,” he said indifferently.
But when the negro boy had led the buggy away, he added: “Dad, you
might introduce me to her.”
They approached a group, of which Miss Moncrief was the centre. Reared
in the old tradition, she curtsied low before Benjamin. Yes, he might
have a dance. He thanked her and walked away--staggered away.
The interval until the time for his turn should arrive dragged itself
out interminably. He stood close to the wall, silent, inscrutable,
watching with murderous eyes the young bloods of Baltimore as they
eddied around Hildegarde Moncrief, passionate admiration in their
faces. How obnoxious they seemed to Benjamin; how intolerably rosy!
Their curling brown whiskers aroused in him a feeling equivalent to
indigestion.
But when his own time came, and he drifted with her out upon the
changing floor to the music of the latest waltz from Paris, his
jealousies and anxieties melted from him like a mantle of snow. Blind
with enchantment, he felt that life was just beginning.
“You and your brother got here just as we did, didn’t you?” asked
Hildegarde, looking up at him with eyes that were like bright blue
enamel.
Benjamin hesitated. If she took him for his father’s brother, would it
be best to enlighten her? He remembered his experience at Yale, so he
decided against it. It would be rude to contradict a lady; it would be
criminal to mar this exquisite occasion with the grotesque story of
his origin. Later, perhaps. So he nodded, smiled, listened, was happy.
“I like men of your age,” Hildegarde told him. “Young boys are so
idiotic. They tell me how much champagne they drink at college, and
how much money they lose playing cards. Men of your age know how to
appreciate women.”
Benjamin felt himself on the verge of a proposal--with an effort he
choked back the impulse. “You’re just the romantic age,” she
continued--“fifty. Twenty-five is too worldly-wise; thirty is apt to be
pale from overwork; forty is the age of long stories that take a whole
cigar to tell; sixty is--oh, sixty is too near seventy; but fifty is
the mellow age. I love fifty.”
Public-domain text, read in full here on John Shaqi.
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