Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Fifty seemed to Benjamin a glorious age. He longed passionately to be
fifty.
“I’ve always said,” went on Hildegarde, “that I’d rather marry a man
of fifty and be taken care of than marry a man of thirty and take care
of _him_.”
For Benjamin the rest of the evening was bathed in a honey-coloured
mist. Hildegarde gave him two more dances, and they discovered that
they were marvellously in accord on all the questions of the day. She
was to go driving with him on the following Sunday, and then they
would discuss all these questions further.
Going home in the phaeton just before the crack of dawn, when the
first bees were humming and the fading moon glimmered in the cool dew,
Benjamin knew vaguely that his father was discussing wholesale
hardware.
“.... And what do you think should merit our biggest attention after
hammers and nails?” the elder Button was saying.
“Love,” replied Benjamin absent-mindedly.
“Lugs?” exclaimed Roger Button, “Why, I’ve just covered the question
of lugs.”
Benjamin regarded him with dazed eyes just as the eastern sky was
suddenly cracked with light, and an oriole yawned piercingly in the
quickening trees...
VI
When, six months later, the engagement of Miss Hildegarde Moncrief to
Mr. Benjamin Button was made known (I say “made known,” for General
Moncrief declared he would rather fall upon his sword than announce
it), the excitement in Baltimore society reached a feverish pitch. The
almost forgotten story of Benjamin’s birth was remembered and sent out
upon the winds of scandal in picaresque and incredible forms. It was
said that Benjamin was really the father of Roger Button, that he was
his brother who had been in prison for forty years, that he was John
Wilkes Booth in disguise--and, finally, that he had two small conical
horns sprouting from his head.
The Sunday supplements of the New York papers played up the case with
fascinating sketches which showed the head of Benjamin Button attached
to a fish, to a snake, and, finally, to a body of solid brass. He
became known, journalistically, as the Mystery Man of Maryland. But
the true story, as is usually the case, had a very small circulation.
However, every one agreed with General Moncrief that it was “criminal”
for a lovely girl who could have married any beau in Baltimore to
throw herself into the arms of a man who was assuredly fifty. In vain
Mr. Roger Button published his son’s birth certificate in large type in
the Baltimore _Blaze_. No one believed it. You had only to look
at Benjamin and see.
On the part of the two people most concerned there was no wavering. So
many of the stories about her fiancé were false that Hildegarde
refused stubbornly to believe even the true one. In vain General
Moncrief pointed out to her the high mortality among men of fifty--or,
at least, among men who looked fifty; in vain he told her of the
instability of the wholesale hardware business. Hildegarde had chosen
to marry for mellowness, and marry she did....
VII
Public-domain text, read in full here on John Shaqi.
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