Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
An aching blow frightened the frail wood, splintered it around the
edge. Wessel opened it a scarce three inches, and held the candle
high. His was to play the timorous, the super-respectable citizen,
disgracefully disturbed.
“One small hour of the night for rest. Is that too much to ask from
every brawler and--”
“Quiet, gossip! Have you seen a perspiring fellow?”
The shadows of two gallants fell in immense wavering outlines over the
narrow stairs; by the light Wessel scrutinized them closely.
Gentlemen, they were, hastily but richly dressed--one of them wounded
severely in the hand, both radiating a sort of furious horror. Waving
aside Wessel’s ready miscomprehension, they pushed by him into the
room and with their swords went through the business of poking
carefully into all suspected dark spots in the room, further extending
their search to Wessel’s bedchamber.
“Is he hid here?” demanded the wounded man fiercely.
“Is who here?”
“Any man but you.”
“Only two others that I know of.”
For a second Wessel feared that he had been too damned funny, for the
gallants made as though to prick him through.
“I heard a man on the stairs,” he said hastily, “full five minutes
ago, it was. He most certainly failed to come up.”
He went on to explain his absorption in “The Faerie Queene” but, for
the moment at least, his visitors, like the great saints, were
anaesthetic to culture.
“What’s been done?” inquired Wessel.
“Violence!” said the man with the wounded hand. Wessel noticed that
his eyes were quite wild. “My own sister. Oh, Christ in heaven, give
us this man!”
Wessel winced.
“Who is the man?”
“God’s word! We know not even that. What’s that trap up there?” he
added suddenly.
“It’s nailed down. It’s not been used for years.” He thought of the
pole in the corner and quailed in his belly, but the utter despair of
the two men dulled their astuteness.
“It would take a ladder for any one not a tumbler,” said the wounded
man listlessly.
His companion broke into hysterical laughter.
“A tumbler. Oh, a tumbler. Oh--”
Wessel stared at them in wonder.
“That appeals to my most tragic humor,” cried the man, “that no
one--oh, no one--could get up there but a tumbler.”
The gallant with the wounded hand snapped his good fingers
impatiently.
“We must go next door--and then on--”
Helplessly they went as two walking under a dark and storm-swept sky.
Wessel closed and bolted the door and stood a moment by it, frowning
in pity.
A low-breathed “Ha!” made him look up. Soft Shoes had already raised
the trap and was looking down into the room, his rather elfish face
squeezed into a grimace, half of distaste, half of sardonic amusement.
“They take off their heads with their helmets,” he remarked in a
whisper, “but as for you and me, Wessel, we are two cunning men.”
“Now you be cursed,” cried Wessel vehemently. “I knew you for a dog,
but when I hear even the half of a tale like this, I know you for such
a dirty cur that I am minded to club your skull.”
Public-domain text, read in full here on John Shaqi.
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