Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Soft Shoes stared at him, blinking.
“At all events,” he replied finally, “I find dignity impossible in
this position.”
With this he let his body through the trap, hung for an instant, and
dropped the seven feet to the floor.
“There was a rat considered my ear with the air of a gourmet,” he
continued, dusting his hands on his breeches. “I told him in the rat’s
peculiar idiom that I was deadly poison, so he took himself off.”
“Let’s hear of this night’s lechery!” insisted Wessel angrily.
Soft Shoes touched his thumb to his nose and wiggled the fingers
derisively at Wessel.
“Street gamin!” muttered Wessel.
“Have you any paper?” demanded Soft Shoes irrelevantly, and then
rudely added, “or can you write?”
“Why should I give you paper?”
“You wanted to hear of the night’s entertainment. So you shall, an you
give me pen, ink, a sheaf of paper, and a room to myself.”
Wessel hesitated.
“Get out!” he said finally.
“As you will. Yet you have missed a most intriguing story.”
Wessel wavered--he was soft as taffy, that man--gave in. Soft Shoes
went into the adjoining room with the begrudged writing materials and
precisely closed the door. Wessel grunted and returned to “The Faerie
Queene”; so silence came once more upon the house.
III
Three o’clock went into four. The room paled, the dark outside was
shot through with damp and chill, and Wessel, cupping his brain in his
hands, bent low over his table, tracing through the pattern of knights
and fairies and the harrowing distresses of many girls. There were
dragons chortling along the narrow street outside; when the sleepy
armorer’s boy began his work at half-past five the heavy clink and
clank of plate and linked mail swelled to the echo of a marching
cavalcade.
A fog shut down at the first flare of dawn, and the room was grayish
yellow at six when Wessel tiptoed to his cupboard bedchamber and
pulled open the door. His guest turned on him a face pale as parchment
in which two distraught eyes burned like great red letters. He had
drawn a chair close to Wessel’s _prie-dieu_ which he was using as
a desk; and on it was an amazing stack of closely written pages. With
a long sigh Wessel withdrew and returned to his siren, calling himself
fool for not claiming his bed here at dawn.
The clump of boots outside, the croaking of old beldames from attic to
attic, the dull murmur of morning, unnerved him, and, dozing, he
slumped in his chair, his brain, overladen with sound and color,
working intolerably over the imagery that stacked it. In this restless
dream of his he was one of a thousand groaning bodies crushed near the
sun, a helpless bridge for the strong-eyed Apollo. The dream tore at
him, scraped along his mind like a ragged knife. When a hot hand
touched his shoulder, he awoke with what was nearly a scream to find
the fog thick in the room and his guest, a gray ghost of misty stuff,
beside him with a pile of paper in his hand.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account