Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
There is a sort of waking nightmare that sets in sometimes when one
has missed a sleep or two, a feeling that comes with extreme fatigue
and a new sun, that the quality of the life around has changed. It is
a fully articulate conviction that somehow the existence one is then
leading is a branch shoot of life and is related to life only as a
moving picture or a mirror--that the people, and streets, and houses
are only projections from a very dim and chaotic past. It was in such
a state that Roxanne found herself during the first months of
Jeffrey’s illness. She slept only when she was utterly exhausted; she
awoke under a cloud. The long, sober-voiced consultations, the faint
aura of medicine in the halls, the sudden tiptoeing in a house that
had echoed to many cheerful footsteps, and, most of all, Jeffrey’s
white face amid the pillows of the bed they had shared--these things
subdued her and made her indelibly older. The doctors held out hope,
but that was all. A long rest, they said, and quiet. So responsibility
came to Roxanne. It was she who paid the bills, pored over his
bank-book, corresponded with his publishers. She was in the kitchen
constantly. She learned from the nurse how to prepare his meals and
after the first month took complete charge of the sick-room. She had
had to let the nurse go for reasons of economy. One of the two colored
girls left at the same time. Roxanne was realizing that they had been
living from short story to short story.
The most frequent visitor was Harry Cromwell. He had been shocked and
depressed by the news, and though his wife was now living with him in
Chicago he found time to come out several times a month. Roxanne found
his sympathy welcome--there was some quality of suffering in the man,
some inherent pitifulness that made her comfortable when he was near.
Roxanne’s nature had suddenly deepened. She felt sometimes that with
Jeffrey she was losing her children also, those children that now most
of all she needed and should have had.
It was six months after Jeffrey’s collapse and when the nightmare had
faded, leaving not the old world but a new one, grayer and colder,
that she went to see Harry’s wife. Finding herself in Chicago with an
extra hour before train time, she decided out of courtesy to call.
As she stepped inside the door she had an immediate impression that
the apartment was very like some place she had seen before--and almost
instantly she remembered a round-the-corner bakery of her childhood, a
bakery full of rows and rows of pink frosted cakes--a stuffy pink,
pink as a food, pink triumphant, vulgar, and odious.
And this apartment was like that. It was pink. It smelled pink!
Public-domain text, read in full here on John Shaqi.
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