Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
The street was hot at three and hotter still at four, the April dust
seeming to enmesh the sun and give it forth again as a world-old joke
forever played on an eternity of afternoons. But at half past four a
first layer of quiet fell and the shades lengthened under the awnings
and heavy foliaged trees. In this heat nothing mattered. All life was
weather, a waiting through the hot where events had no significance
for the cool that was soft and caressing like a woman’s hand on a
tired forehead. Down in Georgia there is a feeling--perhaps
inarticulate--that this is the greatest wisdom of the South--so after
a while the Jelly-bean turned into a poolhall on Jackson Street where
he was sure to find a congenial crowd who would make all the old
jokes--the ones he knew.
THE CAMEL’S BACK
The glazed eye of the tired reader resting for a second on the above
title will presume it to be merely metaphorical. Stories about the cup
and the lip and the bad penny and the new broom rarely have anything,
to do with cups or lips or pennies or brooms. This story is the
exception. It has to do with a material, visible and large-as-life
camel’s back.
Starting from the neck we shall work toward the tail. I want you to
meet Mr. Perry Parkhurst, twenty-eight, lawyer, native of Toledo.
Perry has nice teeth, a Harvard diploma, parts his hair in the middle.
You have met him before--in Cleveland, Portland, St. Paul,
Indianapolis, Kansas City, and so forth. Baker Brothers, New York,
pause on their semi-annual trip through the West to clothe him;
Montmorency & Co. dispatch a young man post-haste every three months
to see that he has the correct number of little punctures on his
shoes. He has a domestic roadster now, will have a French roadster if
he lives long enough, and doubtless a Chinese tank if it comes into
fashion. He looks like the advertisement of the young man rubbing his
sunset-colored chest with liniment and goes East every other year to
his class reunion.
I want you to meet his Love. Her name is Betty Medill, and she would
take well in the movies. Her father gives her three hundred a month to
dress on, and she has tawny eyes and hair and feather fans of five
colors. I shall also introduce her father, Cyrus Medill. Though he is
to all appearances flesh and blood, he is, strange to say, commonly
known in Toledo as the Aluminum Man. But when he sits in his club
window with two or three Iron Men, and the White Pine Man, and the
Brass Man, they look very much as you and I do, only more so, if you
know what I mean.
Now during the Christmas holidays of 1919 there took place in Toledo,
counting only the people with the italicized _the_, forty-one
dinner parties, sixteen dances, six luncheons, male and female, twelve
teas, four stag dinners, two weddings, and thirteen bridge parties. It
was the cumulative effect of all this that moved Perry Parkhurst on
the twenty-ninth day of December to a decision.
Public-domain text, read in full here on John Shaqi.
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