Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
The dance this evening was for little Millicent Tate, and though all
ages were represented, the dancers were mostly from school and
college--the younger married crowd was at the Townsends’ circus ball
up at the Tallyho Club. Mrs. Tate was standing just inside the
ballroom, following Millicent round with her eyes, and beaming
whenever she caught her eye. Beside her were two middle-aged
sycophants, who were saying what a perfectly exquisite child Millicent
was. It was at this moment that Mrs. Tate was grasped firmly by the
skirt and her youngest daughter, Emily, aged eleven, hurled herself
with an “Oof!” into her mother’s arms.
“Why, Emily, what’s the trouble?”
“Mamma,” said Emily, wild-eyed but voluble, “there’s something out on
the stairs.”
“What?”
“There’s a thing out on the stairs, mamma. I think it’s a big dog,
mamma, but it doesn’t look like a dog.”
“What do you mean, Emily?”
The sycophants waved their heads sympathetically.
“Mamma, it looks like a--like a camel.”
Mrs. Tate laughed.
“You saw a mean old shadow, dear, that’s all.”
“No, I didn’t. No, it was some kind of thing, mamma--big. I was going
down-stairs to see if there were any more people, and this dog or
something, he was coming up-stairs. Kinda funny, mamma, like he was
lame. And then he saw me and gave a sort of growl, and then he slipped
at the top of the landing, and I ran.”
Mrs. Tate’s laugh faded.
“The child must have seen something,” she said.
The sycophants agreed that the child must have seen something--and
suddenly all three women took an instinctive step away from the door
as the sounds of muffled steps were audible just outside.
And then three startled gasps rang out as a dark brown form rounded
the corner, and they saw what was apparently a huge beast looking down
at them hungrily.
“Oof!” cried Mrs. Tate.
“O-o-oh!” cried the ladies in a chorus.
The camel suddenly humped his back, and the gasps turned to shrieks.
“Oh--look!”
“What is it?”
The dancing stopped, but the dancers hurrying over got quite a
different impression of the invader; in fact, the young people
immediately suspected that it was a stunt, a hired entertainer come to
amuse the party. The boys in long trousers looked at it rather
disdainfully, and sauntered over with their hands in their pockets,
feeling that their intelligence was being insulted. But the girls
uttered little shouts of glee.
“It’s a camel!”
“Well, if he isn’t the funniest!”
The camel stood there uncertainly, swaying slightly from side to side,
and seeming to take in the room in a careful, appraising glance; then
as if he had come to an abrupt decision, he turned and ambled swiftly
out the door.
Public-domain text, read in full here on John Shaqi.
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