Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
From under the cloth was audible the enthusiastic smacking sound
inspired by this suggestion. When a butler had appeared with bottles,
glasses, and siphon one of the bottles was handed back; thereafter the
silent partner could be heard imbibing long potations at frequent
intervals.
Thus passed a benign hour. At ten o’clock Mr. Tate decided that they’d
better be starting. He donned his clown’s costume; Perry replaced the
camel’s head, and side by side they traversed on foot the single
block between the Tate house and the Tallyho Club.
The circus ball was in full swing. A great tent fly had been put up
inside the ballroom and round the walls had been built rows of booths
representing the various attractions of a circus side show, but these
were now vacated and over the floor swarmed a shouting, laughing
medley of youth and color--clowns, bearded ladies, acrobats, bareback
riders, ringmasters, tattooed men, and charioteers. The Townsends had
determined to assure their party of success, so a great quantity of
liquor had been surreptitiously brought over from their house and was
now flowing freely. A green ribbon ran along the wall completely round
the ballroom, with pointing arrows alongside and signs which
instructed the uninitiated to “Follow the green line!” The green line
led down to the bar, where waited pure punch and wicked punch and
plain dark-green bottles.
On the wall above the bar was another arrow, red and very wavy, and
under it the slogan: “Now follow this!”
But even amid the luxury of costume and high spirits represented,
there, the entrance of the camel created something of a stir, and
Perry was immediately surrounded by a curious, laughing crowd
attempting to penetrate the identity of this beast that stood by the
wide doorway eying the dancers with his hungry, melancholy gaze.
And then Perry saw Betty standing in front of a booth, talking to a
comic policeman. She was dressed in the costume of an Egyptian
snake-charmer: her tawny hair was braided and drawn through brass
rings, the effect crowned with a glittering Oriental tiara. Her fair
face was stained to a warm olive glow and on her arms and the half
moon of her back writhed painted serpents with single eyes of venomous
green. Her feet were in sandals and her skirt was slit to the knees,
so that when she walked one caught a glimpse of other slim serpents
painted just above her bare ankles. Wound about her neck was a
glittering cobra. Altogether a charming costume--one that caused the
more nervous among the older women to shrink away from her when she
passed, and the more troublesome ones to make great talk about
“shouldn’t be allowed” and “perfectly disgraceful.”
Public-domain text, read in full here on John Shaqi.
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