Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
At one o’clock a special orchestra, special even in a day of special
orchestras, arrived at Delmonico’s, and its members, seating
themselves arrogantly around the piano, took up the burden of
providing music for the Gamma Psi Fraternity. They were headed by a
famous flute-player, distinguished throughout New York for his feat of
standing on his head and shimmying with his shoulders while he played
the latest jazz on his flute. During his performance the lights were
extinguished except for the spotlight on the flute-player and another
roving beam that threw flickering shadows and changing kaleidoscopic
colors over the massed dancers.
Edith had danced herself into that tired, dreamy state habitual only
with débutantes, a state equivalent to the glow of a noble soul after
several long highballs. Her mind floated vaguely on the bosom of her
music; her partners changed with the unreality of phantoms under the
colorful shifting dusk, and to her present coma it seemed as if days
had passed since the dance began. She had talked on many fragmentary
subjects with many men. She had been kissed once and made love to six
times. Earlier in the evening different under-graduates had danced
with her, but now, like all the more popular girls there, she had her
own entourage--that is, half a dozen gallants had singled her out or
were alternating her charms with those of some other chosen beauty;
they cut in on her in regular, inevitable succession.
Several times she had seen Gordon--he had been sitting a long time on
the stairway with his palm to his head, his dull eyes fixed at an
infinite spark on the floor before him, very depressed, he looked, and
quite drunk--but Edith each time had averted her glance hurriedly. All
that seemed long ago; her mind was passive now, her senses were lulled
to trance-like sleep; only her feet danced and her voice talked on in
hazy sentimental banter.
But Edith was not nearly so tired as to be incapable of moral
indignation when Peter Himmel cut in on her, sublimely and happily
drunk. She gasped and looked up at him.
“Why, _Peter_!”
“I’m a li’l’ stewed, Edith.”
“Why, Peter, you’re a _peach_, you are! Don’t you think it’s a
bum way of doing--when you’re with me?”
Then she smiled unwillingly, for he was looking at her with owlish
sentimentality varied with a silly spasmodic smile.
“Darlin’ Edith,” he began earnestly, “you know I love you, don’t you?”
“You tell it well.”
“I love you--and I merely wanted you to kiss me,” he added sadly.
His embarrassment, his shame, were both gone. She was a mos’ beautiful
girl in whole worl’. Mos’ beautiful eyes, like stars above. He wanted
to ’pologize--firs’, for presuming try to kiss her; second, for
drinking--but he’d been so discouraged ’cause he had thought she was
mad at him----
The red-fat man cut in, and looking up at Edith smiled radiantly.
“Did you bring any one?” she asked.
No. The red-fat man was a stag.
Public-domain text, read in full here on John Shaqi.
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