Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Well, would you mind--would it be an awful bother for you to--to take
me home to-night?” (this extreme diffidence was a charming affectation
on Edith’s part--she knew that the red-fat man would immediately
dissolve into a paroxysm of delight).
“Bother? Why, good Lord, I’d be darn glad to! You know I’d be darn
glad to.”
“Thanks _loads_! You’re awfully sweet.”
She glanced at her wrist-watch. It was half-past one. And, as she said
“half-past one” to herself, it floated vaguely into her mind that her
brother had told her at luncheon that he worked in the office of his
newspaper until after one-thirty every evening.
Edith turned suddenly to her current partner.
“What street is Delmonico’s on, anyway?”
“Street? Oh, why Fifth Avenue, of course.”
“I mean, what cross street?”
“Why--let’s see--it’s on Forty-fourth Street.”
This verified what she had thought. Henry’s office must be across the
street and just around the corner, and it occurred to her immediately
that she might slip over for a moment and surprise him, float in on
him, a shimmering marvel in her new crimson opera cloak and “cheer him
up.” It was exactly the sort of thing Edith revelled in doing--an
unconventional, jaunty thing. The idea reached out and gripped at her
imagination--after an instant’s hesitation she had decided.
“My hair is just about to tumble entirely down,” she said pleasantly
to her partner; “would you mind if I go and fix it?”
“Not at all.”
“You’re a peach.”
A few minutes later, wrapped in her crimson opera cloak, she flitted
down a side-stairs, her cheeks glowing with excitement at her little
adventure. She ran by a couple who stood at the door--a weak-chinned
waiter and an over-rouged young lady, in hot dispute--and opening the
outer door stepped into the warm May night.
VII
The over-rouged young lady followed her with a brief, bitter
glance--then turned again to the weak-chinned waiter and took up her
argument.
“You better go up and tell him I’m here,” she said defiantly, “or I’ll
go up myself.”
“No, you don’t!” said George sternly.
The girl smiled sardonically.
“Oh, I don’t, don’t I? Well, let me tell you I know more college
fellas and more of ’em know me, and are glad to take me out on a
party, than you ever saw in your whole life.”
“Maybe so--”
“Maybe so,” she interrupted. “Oh, it’s all right for any of ’em like
that one that just ran out--God knows where _she_ went--it’s all
right for them that are asked here to come or go as they like--but
when I want to see a friend they have some cheap, ham-slinging,
bring-me-a-doughnut waiter to stand here and keep me out.”
“See here,” said the elder Key indignantly, “I can’t lose my job.
Maybe this fella you’re talkin’ about doesn’t want to see you.”
“Oh, he wants to see me all right.”
“Anyways, how could I find him in all that crowd?”
“Oh, he’ll be there,” she asserted confidently. “You just ask anybody
for Gordon Sterrett and they’ll point him out to you. They all know
each other, those fellas.”
Public-domain text, read in full here on John Shaqi.
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