Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Say, boy,” exclaimed Clark breathlessly, “doesn’t Nancy Lamar look
beautiful?”
Jim nodded.
“Mighty beautiful,” he agreed.
“She’s all dolled up to a fare-you-well to-night,” continued Clark.
“Notice that fellow she’s with?”
“Big fella? White pants?”
“Yeah. Well, that’s Ogden Merritt from Savannah. Old man Merritt makes
the Merritt safety razors. This fella’s crazy about her. Been chasing
after her all year.
“She’s a wild baby,” continued Clark, “but I like her. So does
everybody. But she sure does do crazy stunts. She usually gets out
alive, but she’s got scars all over her reputation from one thing or
another she’s done.”
“That so?” Jim passed over his glass. “That’s good corn.”
“Not so bad. Oh, she’s a wild one. Shoot craps, say, boy! And she do
like her high-balls. Promised I’d give her one later on.”
“She in love with this--Merritt?”
“Damned if I know. Seems like all the best girls around here marry
fellas and go off somewhere.”
He poured himself one more drink and carefully corked the bottle.
“Listen, Jim, I got to go dance and I’d be much obliged if you just
stick this corn right on your hip as long as you’re not dancing. If a
man notices I’ve had a drink he’ll come up and ask me and before I
know it it’s all gone and somebody else is having my good time.”
So Nancy Lamar was going to marry. This toast of a town was to become
the private property of an individual in white trousers--and all
because white trousers’ father had made a better razor than his
neighbor. As they descended the stairs Jim found the idea inexplicably
depressing. For the first time in his life he felt a vague and
romantic yearning. A picture of her began to form in his
imagination--Nancy walking boylike and debonnaire along the street,
taking an orange as tithe from a worshipful fruit-dealer, charging a
dope on a mythical account at Soda Sam’s, assembling a convoy of
beaux and then driving off in triumphal state for an afternoon of
splashing and singing.
The Jelly-bean walked out on the porch to a deserted corner, dark
between the moon on the lawn and the single lighted door of the
ballroom. There he found a chair and, lighting a cigarette, drifted
into the thoughtless reverie that was his usual mood. Yet now it was a
reverie made sensuous by the night and by the hot smell of damp powder
puffs, tucked in the fronts of low dresses and distilling a thousand
rich scents, to float out through the open door. The music itself,
blurred by a loud trombone, became hot and shadowy, a languorous
overtone to the scraping of many shoes and slippers.
Suddenly the square of yellow light that fell through the door was
obscured by a dark figure. A girl had come out of the dressing-room
and was standing on the porch not more than ten feet away. Jim heard a
low-breathed “doggone” and then she turned and saw him. It was Nancy
Lamar.
Jim rose to his feet.
“Howdy?”
“Hello--” she paused, hesitated and then approached. “Oh, it’s--Jim
Powell.”
Public-domain text, read in full here on John Shaqi.
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