Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
It is not unjust to Mr. Vernon-Smith to say that he fled as from a
dynamite explosion. It would be unjust to say that he deserted a lady
in distress, for she did not look in the least like a distressed lady,
and he himself was a very distressed gentleman. He attempted to wave
her indoors with some wild pretext, and eventually vanished there
himself with an equally random apology. But the other two took no
notice of him; they continued to confront each other, and both were
smiling.
“I think you must be the bravest man in England,” she said. “I don’t
mean anything about the war, or the D.S.O. and all that; I mean about
this. Oh, yes, I do know a little about you, but there’s one thing I
don’t know. Why do you do it?”
“I think it is you who are the bravest woman in England,” he answered,
“or, at any rate, the bravest person in these parts. I’ve walked about
this town for a week, feeling like the last fool in creation, and
expecting somebody to say something. And not a soul has said a word.
They seem all to be afraid of saying the wrong thing.”
“I think they’re deadly,” observed Miss Smith. “And if they don’t have
cabbages for hats, it’s only because they have turnips for heads.”
“No,” said the Colonel gently; “I have many generous and friendly
neighbours here, including your cousin. Believe me, there is a case for
conventions, and the world is wiser than you know. You are too young
not to be intolerant. But I can see you’ve got the fighting spirit;
that is the best part of youth and intolerance. When you said that word
just now, by Jove you looked like Britomart.”
“She is the Militant Suffragette in the Faerie Queene, isn’t she?”
answered the girl. “I’m afraid I don’t know my English literature as
well as you do. You see, I’m an artist, or trying to be one; and some
people say that narrows a person. But I can’t help getting cross with
all the varnished vulgarity they talk about everything--look at what
he said about Socialism.”
“It was a little superficial,” said Crane with a smile.
“And that,” she concluded, “is why I admire your hat, though I don’t
know why you wear it.”
This trivial conversation had a curious effect on the Colonel. There
went with it a sort of warmth and a sense of crisis that he had not
known since the war. A sudden purpose formed itself in his mind, and he
spoke like one stepping across a frontier.
“Miss Smith,” he said, “I wonder if I might ask you to pay me a further
compliment. It may be unconventional, but I believe you do not stand on
these conventions. An old friend of mine will be calling on me shortly,
to wind up the rather unusual business or ceremonial of which you have
chanced to see a part. If you would do me the honour to lunch with me
to-morrow at half-past one, the true story of the cabbage awaits you. I
promise that you shall hear the real reason. I might even say I promise
you shall _see_ the real reason.”
“Why, of course I will,” said the unconventional one heartily. “Thanks
awfully.”
Public-domain text, read in full here on John Shaqi.
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