Tales of the Long BowChesterton, G. K. (Gilbert Keith)
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Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“With my red hair, no doubt,” he replied, “but I don’t think I did set
the Thames on fire. I think it was the Thames that set me on fire. Only
you were always the spirit of the stream and the goddess of the valley.”
“I hope I’m not quite so old as that,” answered Elizabeth.
“Listen to this,” cried her husband, turning over the pages of the
book. “‘According to the general belief, which prevailed until the
recent success of the agrarian movement of the Long Bow, it was
overwhelmingly improbable that a revolutionary change could be effected
in England. The recent success of the agrarian protest----’”
“Do come out of that book,” remonstrated his wife. “One of our visitors
has just arrived.”
The visitor proved to be the Reverend Wilding White, a man who had
also played a prominent part in the recent triumph, a part that was
sometimes highly public and almost pontifical; but in private life he
had always a way of entering with his grey hair brushed or blown the
wrong way and his eagle face eager or indignant; and his conversation
like his correspondence came in a rush and was too explosive to be
explanatory.
“I say,” he cried, “I’ve come to talk to you about that idea, you
know--Enoch Oates wrote about it from America and he’s a jolly good
fellow and all that; but after all he does come from America and so he
thinks it’s quite easy. But you can see for yourself it isn’t quite so
easy, what with Turks and all that. It’s all very well to talk about
the United States----”
“Never you mind about the United States,” said Hood easily; “I think
I’m rather in favour of the Heptarchy. You just listen to this; the
epic of our own Heptarchy, the story of our own dear little domestic
war. ‘The recent success of the agrarian protest----’”
He was interrupted again by the arrival of two more guests; by the
silent entrance of Colonel Crane and the very noisy entrance of Captain
Pierce, who had brought his young wife with him from the country,
for they had established themselves in the ancestral inn of the Blue
Boar. White’s wife was still in the country, and Crane’s having long
been busy in her studio with war-posters, was now equally busy with
peace-posters.
Public-domain text, read in full here on John Shaqi.
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