Tales of the Long BowChesterton, G. K. (Gilbert Keith)
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Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
So he stood for a moment amid a changing world exactly as he had stood
on that distant Sunday morning at the beginning of all these things.
The South Sea idol still stood at the corner; the scarecrow still wore
the hat that he had sacrificed; the cabbages still looked green and
solid like the cabbage he had once dug up, digging up so much along
with it.
“Queer thing,” he said, “how true it is what Hilary once said about
acting an allegory without knowing it. Never had a notion of what I
was doing when I picked up a cabbage and wore it for a wager. Damned
awkward position, but I never dreamed I was being martyred for a
symbol. And the right symbol too, for I’ve lived to see Britannia
crowned with cabbage. All very well to say Britannia ruled the waves;
it was the land she couldn’t rule, her own land, and it was heaving
like earthquakes. But while there’s cabbage there’s hope. Archer,
my friend, this is the moral: any country that tries to do without
cabbages is done for. And even in war you often fight as much with
cabbages as cannon balls.”
“Yes, sir,” said Archer respectfully; “would you be wanting another
cabbage now, sir?”
Colonel Crane repressed a slight shudder. “No, thank you; no, thank
you,” he said hastily. Then he muttered as he turned away: “I don’t
mind revolutions so much, but I wouldn’t go through that again.”
And he passed swiftly round his house, of which the windows began to
show the glow of kindled lamps, and went in to his wife.
Archer was left alone in the garden, tidying up after his work and
shifting the potted shrubs; a dark and solitary figure as sunset and
twilight sank all around the enclosure like soft curtains of grey with
a border of purple; and the windows, as yet uncurtained and full of
lamplight, painted patterns of gold on the lawns and flagged walks
without. It was perhaps appropriate that he should remain alone and
apart; for he alone in all these changes had remained quite unchanged.
It was perhaps fitting that his figure should stand in a dark outline
against the darkening scene; for the mystery of his immutable
respectability remains more of a riddle than all the riot of the rest.
No revolution could revolutionize Mr. Archer. Attempts had been made
to provide so excellent a gardener with a garden of his own; with a
farm of his own, in accordance with the popular policy of the hour. But
he would not adapt himself to the new world; nor would he hasten to
die out, as was his duty on evolutionary principles. He was merely a
survival; but he showed a perplexing disposition to survive.
Suddenly the lonely gardener realized that he was not alone. A face
had appeared above the hedge, gazing at him with blue eyes dreaming
yet burning; a face with something of the tint and profile of Shelley.
It was impossible that Mr. Archer should have heard of such a person
as Shelley: fortunately he recognized the visitor as a friend of his
master.
Public-domain text, read in full here on John Shaqi.
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