Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“Don’t you understand?” interrupted Hilary Pierce excitedly. “What
can we have to do with international republics? We can turn England
upside-down if we like; but it’s England that we like, whichever
way up. Why, our very names and phrases, the very bets and jokes in
which the whole thing began, will never be translated. It takes an
Englishman to eat his hat; I never heard of a Spaniard threatening to
eat his sombrero, or a Chinaman to chew his pigtail. You can only set
the Thames on fire; you cannot set the Tiber or the Ganges on fire,
because the habit of speech has never been heard of. What’s the good of
talking about white elephants in countries where they are only white
elephants? Go and say to a Frenchman, ‘_Pour mon château, je le trouve
un elephant blanc_’ and he will send two Parisian alienists to look
at you seriously, like a man who says that his motor-car is a green
giraffe. There is no point in telling Czecho-Slovakian pigs to fly, or
Jugo-Slavonic cows to jump over the moon. Why, the unhappy Lithuanian
would be bewildered to the point of madness by our very name. There
is no reason to suppose that he and his countrymen talk about a Long
Bowman when they mean a liar. We talk about tall stories, but a tall
story may mean a true story in colloquial Lithuanian.”
“Tall stories are true stories sometimes, I hope,” said Colonel Crane,
“and people don’t believe ’em. But people’ll say that was a very tall
story about the tall trees throwing darts and stones. Afraid it’ll come
to be a bit of a joke.”
“All our battles began as jokes and they will end as jokes,” said Owen
Hood, staring at the smoke of his cigar as it threaded its way towards
the sky in grey and silver arabesque. “They will linger only as faintly
laughable legends, if they linger at all; they may pass an idle hour or
fill an empty page; and even the man who tells them will not take them
seriously. It will all end in smoke like the smoke I am looking at; in
eddying and topsy-turvy patterns hovering for a moment in the air. And
I wonder how many, who may smile or yawn over them, will realize that
where there was smoke there was fire?”
There was a silence; then Colonel Crane stood up, a solitary figure
in his severe and formal clothes, and gravely said farewell to his
hostess. With the failing afternoon light he knew that his own wife,
who was a well-known artist, would be abandoning her studio work, and
he always looked forward to a talk with her before dinner, which was
often a more social function. Nevertheless, as he approached his old
home a whim induced him to delay the meeting for a few minutes and to
walk around to his old kitchen-garden, where his old servant Archer was
still leaning on a spade, as in the days before the Flood.
Public-domain text, read in full here on John Shaqi.
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