Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“That was the exception, I’m afraid,” he said earnestly. “You’d find
those things very rare and most things very dull. I can’t help having
fallen in love with you; but for all that we are in different worlds;
and you belong to a younger world, which says what it thinks, and
cannot see what most of our silences and our scruples meant.”
“I suppose we are very rude,” she said thoughtfully, “and you must
certainly excuse me if I do say what I think.”
“I deserve no better,” he replied mournfully.
“Well, I think I must be in love with you too,” she replied calmly. “I
don’t see what time has to do with being fond of people. You are the
most original person I ever knew.”
“My dear, my dear,” he protested almost brokenly, “I fear you are
making a mistake. Whatever else I am, I never set up to be original.”
“You must remember,” she replied, “that I have known a good many people
who did set up to be original. An Art School swarms with them; and
there are any number among those socialist and vegetarian friends
of mine you were talking about. They would think nothing of wearing
cabbages on their heads, of course. Any one of them would be capable of
getting inside a pumpkin if he could. Any one of them might appear in
public dressed entirely in watercress. But that’s just it. They might
well wear watercress for they are water-creatures; they go with the
stream. They do those things because those things are done; because
they are done in their own Bohemian set. Unconventionality is their
convention. I don’t mind it myself; I think it’s great fun; but that
doesn’t mean that I don’t know real strength or independence when I see
it. All that is just molten and formless; but the really strong man is
one who can make a mould and then break it. When a man like you can
suddenly do a thing like that, after twenty years of habit, for the
sake of his word, then somehow one really does feel that man is man and
master of his fate.”
“I doubt if I am master of my fate,” replied Crane, “and I do not know
whether I ceased to be yesterday or two minutes ago.”
He stood there for a moment like a man in heavy armour. Indeed, the
antiquated image is not inappropriate in more ways than one. The new
world within him was so alien from the whole habit in which he lived,
from the very gait and gestures of his daily life, conducted through
countless days, that his spirit had striven before it broke its shell.
But it was also true that even if he could have done what every man
wishes to do at such a moment, something supreme and satisfying, it
would have been something in a sense formal or it would not have
satisfied him. He was one of those to whom it is natural to be
ceremonial. Even the music in his mind, too deep and distant for him
to catch or echo, was the music of old and ritual dances and not of
revelry; and it was not for nothing that he had built gradually about
him that garden of the grey stone fountain and the great hedge of yew.
He bent suddenly and kissed her hand.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account