Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
Archer also was a survival. Indeed, the two had survived together; had
survived a number of things that had killed a good many other people.
But though they had been together through the war that was also a
revolution, and had a complete confidence in each other, the man Archer
had never been able to lose the oppressive manners of a manservant. He
performed the duties of a gardener with the air of a butler. He really
performed the duties very well and enjoyed them very much; perhaps he
enjoyed them all the more because he was a clever Cockney, to whom the
country crafts were a new hobby. But somehow, whenever he said, “I have
put in the seeds, sir,” it always sounded like, “I have put the sherry
on the table, sir”; and he could not say, “Shall I pull the carrots?”
without seeming to say, “Would you be requiring the claret?”
“I hope you’re not working on Sunday,” said the Colonel, with a much
more pleasant smile than most people got from him, though he was always
polite to everybody. “You’re getting too fond of these rural pursuits.
You’ve become a rustic yokel.”
“I was venturing to examine the cabbages, sir,” replied the rustic
yokel, with a painful precision of articulation. “Their condition
yesterday evening did not strike me as satisfactory.”
“Glad you didn’t sit up with them,” answered the Colonel. “But it’s
lucky you’re interested in cabbages. I want to talk to you about
cabbages.”
“About cabbages, sir?” inquired the other respectfully.
But the Colonel did not appear to pursue the topic, for he was gazing
in sudden abstraction at another object in the vegetable plots in
front of him. The Colonel’s garden, like the Colonel’s house, hat,
coat and demeanour, was well-appointed in an unobtrusive fashion; and
in the part of it devoted to flowers there dwelt something indefinable
that seemed older than the suburbs. The hedges, even, in being as
neat as Surbiton managed to look as mellow as Hampton Court, as if
their very artificiality belonged rather to Queen Anne than Queen
Victoria; and the stone-rimmed pond with a ring of irises somehow
looked like a classic pool and not merely an artificial puddle. It is
idle to analyse how a man’s soul and social type will somehow soak
into his surroundings; anyhow, the soul of Mr. Archer had sunk into
the kitchen-garden so as to give it a fine shade of difference. He
was after all a practical man, and the practice of his new trade was
much more of a real appetite with him than his words would suggest.
Hence the kitchen-garden was not artificial, but autochthonous; it
really looked like a corner of a farm in the country; and all sorts
of practical devices were set up there. Strawberries were netted-in
against the birds; strings were stretched across with feathers
fluttering from them; and in the middle of the principal bed stood
an ancient and authentic scarecrow. Perhaps the only incongruous
intruder, capable of disputing with the scarecrow his rural reign, was
Public-domain text, read in full here on John Shaqi.
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