Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
Once more the well-trained servant managed to repeat the word
“Cabbages” with his own strict accent; but in its constriction there
was a hint of strangulation.
“Yes, go and pull up a cabbage, there’s a good fellow,” said the
Colonel. “I must really be getting along; I believe I heard it strike
eleven.”
Mr. Archer moved heavily in the direction of the plot of cabbages,
which swelled with monstrous contours and many colours; objects,
perhaps, more worthy of the philosophic eye than is taken into account
by the more flippant tongue. Vegetables are curious-looking things and
less commonplace than they sound. If we called a cabbage a cactus, or
some such queer name, we might see it as an equally queer thing.
These philosophical truths did the Colonel reveal by anticipating the
dubious Archer, and dragging a great, green cabbage with its trailing
root out of the earth. He then picked up a sort of pruning-knife and
cut short the long tail of the root; scooped out the inside leaves so
as to make a sort of hollow, and gravely reversing it, placed it on
his head. Napoleon and other military princes have crowned themselves;
and he, like the Cæsars, wore a wreath that was, after all, made of
green leaves or vegetation. Doubtless there are other comparisons that
might occur to any philosophical historian who should look at it in the
abstract.
The people going to church certainly looked at it; but they did not
look at it in the abstract. To them it appeared singularly concrete;
and indeed incredibly solid. The inhabitants of Rowanmere and
Heatherbrae followed the Colonel as he strode almost jauntily up the
road, with feelings that no philosophy could for the moment meet.
There seemed to be nothing to be said, except that one of the most
respectable and respected of their neighbours, one who might even
be called in a quiet way a pattern of good form if not a leader of
fashion, was walking solemnly up to church with a cabbage on the top of
his head.
There was indeed no corporate action to meet the crisis. Their
world was not one in which a crowd can collect to shout, and still
less to jeer. No rotten eggs could be collected from their tidy
breakfast-tables; and they were not of the sort to throw cabbage-stalks
at the cabbage. Perhaps there was just that amount of truth in the
pathetically picturesque names on their front gates, names suggestive
of mountains and mighty lakes concealed somewhere on the premises. It
was true that in one sense such a house was a hermitage. Each of these
men lived alone and they could not be made into a mob. For miles around
there was no public house and no public opinion.
Public-domain text, read in full here on John Shaqi.
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