Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
Hilary Pierce was an aimable and even excessively optimistic young man
by temperament, in spite of his pugnacity; he would really have been
the last man in the world to wish to hurt the feelings of a harmless
stranger; and he had a deep and almost secret respect for the opinions
of the older soldier. So, finding himself soon afterwards passing
the great gilded gateways of the highly American hotel that was the
London residence of the American, he paused a moment in hesitation
and then went in and gave his name to various overpowering officials
in uniforms that might have been those of the German General Staff.
He was relieved when the large American came out to meet him with a
simple and lumbering affability, and offered his large limp hand as if
there had never been a shadow of misunderstanding. It was somehow borne
in upon Pierce that his own rather intoxicated behaviour that evening
had merely been noted down along with the architectural styles and
the mellow mediævalism of the pig-sty, as part of the fantasies of a
feudal land. All the antics of the Lunatic Asylum had left the American
traveller with the impression that similar parlour games were probably
being played that evening in all the parlours of England. Perhaps there
was something, after all, in Crane’s suggestion that every nation
assumes that every other nation is a sort of mild mad-house.
Mr. Enoch Oates received his guest with great hospitality and pressed
on him cocktails of various occult names and strange colours, though he
himself partook of nothing but a regimen of tepid milk.
Pierce fell into the confidence of Mr. Enoch Oates with a silent
swiftness that made his brain reel with bewilderment. He was staggered
like a man who had fallen suddenly through fifteen floors of a
sky-scraper and found himself in somebody’s bedroom. At the lightest
hint of the sort of thing to which Crane had alluded, the American
opened himself with an expansiveness that was like some gigantic
embrace. All the interminable tables of figures and calculations in
dollars had for the moment disappeared; yet Oates was talking in
the same easy and natural nasal drawl, very leisurely and a little
monotonous, as he said:
“I’m married to the best and brightest woman God ever made, and I tell
you it’s her and God between them that have made me, and I reckon she
had the hardest part of it. We had nothing but a few sticks when I
started; and it was the way she stood by that gave me the heart to risk
even those on my own judgment of how things were going in the Street. I
counted on a rise in Pork, and if it hadn’t risen I’d have been broke
and I dare say in the jug. But she’s just wonderful. You should see
her.”
He produced her photograph with a paralysing promptitude; it
represented a very regal lady dressed up to the nines, probably for the
occasion, with very brilliant eyes and an elaborate load of light hair.
Public-domain text, read in full here on John Shaqi.
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