Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“‘I believe in your star, Enoch,’ she said; ‘you stick to Pork,’” said
Oates, with tender reminiscence, “and so we saw it through.”
Pierce, who had been speculating with involuntary irreverence on
the extreme difficulty of conducting a love-affair or a sentimental
conversation in which one party had to address the other as Enoch,
felt quite ashamed of his cynicism when the Star of Pork shone with
such radiance in the eyes of his new friend.
“It was a terrible time, but I stuck to Pork, sometimes feeling she
could see clearer than I could; and of course she was right, and
I’ve never known her wrong. Then came my great chance of making the
combination and freezing out competition; and I was able to give her
the sort of things she ought to have and let her take the lead as she
should. I don’t care for society much myself; but I’m often glad on a
late night at the office to ring her up and hear she’s enjoying it.”
He spoke with a ponderous simplicity that seemed to disarm and crush
the criticism of a more subtle civilization. It was one of those things
that are easily seen to be absurd; but even after they are seen to be
absurd, they are still there. It may be, after all, that that is the
definition of the great things.
“I reckon that’s what people mean by the romance of business,”
continued Oates, “and though my business got bigger and bigger, it
made me feel kinda pleased there had been a romance at the heart of
it. It had to get bigger, because we wanted to make the combination
water-tight all over the world. I guess I had to fix things up a bit
with your politicians. But Congress men are alike all the world over,
and it didn’t trouble me any.”
There was a not uncommon conviction among those acquainted with Captain
Hilary Pierce that that ingenious young man was cracked. He did a great
many things to justify the impression; and in one sense certainly had
never shown any reluctance to make a fool of himself. But if he was a
lunatic, he was none the less a very English lunatic. And the notion of
talking about his most intimate affections, suddenly, to a foreigner
in an hotel, merely because the conversation had taken that turn,
was something that he found quite terrifying. And yet an instinct,
an impulse running through all these developments, told him that a
moment had come and that he must seize some opportunity that he hardly
understood.
“Look here,” he said rather awkwardly, “I want to tell you something.”
He looked down at the table as he continued.
Public-domain text, read in full here on John Shaqi.
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