England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
That was the difficulty. Stabb was well aware of it. A man who is odd,
and knows it, may be proud, but he will be careful; he may swagger, but
he will take precautions. Lynborough had no idea that he was odd; he
followed his nature--in all its impulses and in all its whims--with
equal fidelity and simplicity. This is not to say that he was never
amused at himself; every intelligent observer is amused at himself
pretty often; but he did not doubt merely because he was amused. He took
his entertainment over his own doings as a bonus life offered. A great
sincerity of action and of feeling was his predominant characteristic.
“Besides, if I’m odd,” he went on with a laugh, “it won’t be noticed.
I’m going to bury myself at Scarsmoor for a couple of years at least.
I’m thinking of writing an autobiography. You’ll come with me,
Cromlech?”
“I must be totally undisturbed,” Stabb stipulated. “I’ve a great deal of
material to get into shape.”
“There’ll be nobody there but myself--and a secretary, I daresay.”
“A secretary? What’s that for?”
“To write the book, of course.”
“Oh, I see,” said Stabb, smiling in a slow fat fashion. “You won’t write
your autobiography yourself?”
“Not unless I find it very engrossing.”
“Well, I’ll come,” said Stabb.
So home they came--an unusual-looking pair--Stabb with his towering
bulky frame, his big goggles, his huge head with its scanty black locks
encircling a face like a harvest moon--Lynborough, tall, too, but lean
as a lath, with tiny feet and hands, a rare elegance of carriage, a
crown of chestnut hair, a long straight nose, a waving moustache, a chin
pointed like a needle and scarcely thickened to the eye by the
close-cropped, short, pointed beard he wore. His bright hazel eyes
gleamed out from his face with an attractive restlessness that caught
away a stranger’s first attention even from the rare beauty of the lines
of his head and face; it was regularity over-refined, sharpened almost
to an outline of itself. But his appearance tempted him to no excesses
of costume; he had always despised that facile path to a barren
eccentricity. On every occasion he wore what all men of breeding were
wearing, yet invested the prescribed costume with the individuality of
his character: this, it seems, is as near as the secret of dressing well
can be tracked.
Public-domain text, read in full here on John Shaqi.
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