England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
For five days the Marchesa gave no sign, no clue to her feelings which
the anxious watchers could detect. She did indeed suffer Colonel Wenman
to depart all forlorn, most unsuccessful and uncomforted--save by the
company of his brother-in-arms, Captain Irons; and he was not cheerful
either, having failed notably in certain designs on Miss Dufaure which
he had been pursuing, but whereunto more pressing matters have not
allowed of attention being given. But Lord Lynborough she never
mentioned--not to Miss Gilletson, nor even to Norah. She seemed to have
regained her tranquillity; her wrath at least was over; she was very
friendly to all the ladies; she was markedly cordial to Roger Wilbraham
on his visits. But she asked him nothing of Lord Lynborough--and, if she
ever looked from the window towards Scarsmoor Castle, none--not even her
observant maid--saw her do it.
Yet Cupid was in the Grange--and very busy. There were signs, not to be
misunderstood, that Violet had not for handsome Stillford the scorn she
had bestowed on unfortunate Irons; and Roger, humbly and distantly
worshipping the Marchesa, deeming her far as a queen beyond his reach,
rested his eyes and solaced his spirit with the less awe-inspiring
charms, the more accessible comradeship, of Norah Mountliffey. Norah, as
her custom was, flirted hard, yet in her delicate fashion. Though she
had not begun to ask herself about the end yet, she was well amused, and
by no means insensible to Roger’s attractions. Only she was preoccupied
with Helena--and Lord Lynborough. Till that riddle was solved, she could
not turn seriously to her own affairs.
On the night of the twenty-second she walked with the Marchesa in the
gardens of the Grange after dinner. Helena was very silent; yet to Norah
the silence did not seem empty. Over against them, on its high hill,
stood Scarsmoor Castle. Roger had dined with them, but had now gone
back.
Suddenly--and boldly--Norah spoke. “Do you see those three lighted
windows on the ground floor at the left end of the house? That’s his
library, Helena. He sits there in the evening. Oh, I do wonder what he’s
been doing all this week!”
“What does it matter?” asked the Marchesa coldly.
“What will he propose, do you think?”
“Mr Stillford thinks he may offer to pay me some small rent--more or
less nominal--for a perpetual right--and that, if he does, I’d better
accept.”
“That’ll be rather a dull ending to it all.”
“Mr Stillford thinks it would be a favourable one for me.”
“I don’t believe he means to pay you money. It’ll be something”--she
paused a moment--“something prettier than that.”
“What has prettiness to do with it, you child? With a right of way?”
“Prettiness has to do with you, though, Helena. You don’t suppose he
thinks only of that wretched path?”
The flush came on the Marchesa’s cheek.
“He can hardly be said to have seen me,” she protested.
“Then look your best when he does--for I’m sure he’s dreamt of you.”
“Why do you say that?”
Public-domain text, read in full here on John Shaqi.
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