“Harry wanted to tell of the woods more than anything. He was afraid
they might cut them down because of the war, and no one would know of
the larks they had had there as boys. Wonderful old woods they were,
with a lot of Spanish chestnut growing low, and tall old oaks over it.
Harry wanted them to write down what the foxgloves were like in the
wood at the end of summer, standing there in the evening, ‘Great
solemn rows,’ he said, ‘all odd in the dusk. All odd in the evening,
going there after work; and makes you think of fairies.’ There was
lots of things about those woods, he said, that ought to be put down
if people were to remember Daleswood as it used to be when they knew
it. What were the good old days without those woods? he said.
“But another wanted to tell of the time when they cut the hay with
scythes, working all those long days at the end of June; there would
be no more of that, he said, with machines come in and all.
“There was room to tell of all that and the woods too, said the
others, so long as they put it short like.
“And another wanted to tell of the valleys beyond the wood, far
afield where the men went working; the women would remember the hay.
The great valleys he’d tell of. It was they that made Daleswood. The
valleys beyond the wood and the twilight on them in summer. Slopes
covered with mint and thyme, all solemn at evening. A hare on them
perhaps, sitting as though they were his, then lolloping slowly away.
It didn’t seem from the way he told of those old valleys that he
thought they could ever be to other folk what they were to the
Daleswood men in the days he remembered. He spoke of them as though
there were something in them, besides the mint and the thyme and the
twilight and hares, that would not stay after these men were gone,
though he did not say what it was. Scarcely hinted it even.
“And still the Boche did nothing to the Daleswood men. The bullets
had ceased altogether. That made it much quieter. The shells still
snarled over, bursting far, far away.
“And Bob said tell of Daleswood itself, the old village, with queer
chimneys, of red brick, in the wood. There weren’t houses like that
nowadays. They’d be building new ones and spoiling it, likely, after
the war. And that was all he had to say.
Public-domain text, read in full here on John Shaqi.
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