Fortunately it is with reading literature as it is with reading foreign
tongues. Often the context, the general tone, the spirit, will carry
us over passages in which there is much that is not clear to our exact
knowledge. Children are constantly able to get from a story or a poem
much more than would seem possible to their ignorance of the language
of literature. They are helped by truth to life even when they are far
from realizing what they are receiving; so that it would be manifestly
unjust to assume that the measure of a child's profit in a given case
is to be gauged too nicely by his acquaintance with the words, the
phrases, the tropes, the suggestions in which the author has conveyed
it. The fact remains, however, that in attempting to do anything
effective in the way of instruction the teacher has first of all to
train his pupil in the language of literature.
The student, having learned to read the work which is to be studied,
must approach it through some personal experience. The teacher who is
endeavoring to assist him must therefore discover what in the child's
range of knowledge may best serve as a point of departure. In all
education, no less than in formal argument, a start can be made only
from a point of agreement, from something as evident to the student as
it is to the instructor. Consciously or unconsciously every teacher
acts upon this principle, from the early lessons in addition which
begin with the obvious agreement produced by the sight of the blocks
or apples or beads which are before the child. In literature, too, the
fact is commonly acted upon, if not so universally formulated. If young
pupils are having "The Village Blacksmith" read to them, the teacher
instinctively starts with the fact that they may have seen a blacksmith
at work at his forge. The difficulty is that teachers who naturally do
this in simple poems fail to see that the same principle holds good of
literature of a higher order, and that the more complex the problem,
the greater the need of being sure of this beginning with some actual
experience.
Public-domain text, read in full here on John Shaqi.
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