The word "study," it may be remarked in passing, is not an entirely
happy one in this connection. It has, it is true, many delightful
associations, especially for those who have really learned how to study;
but it has, too, a certain doleful suggestiveness which calls up painful
memories of childhood. It is apt to bring to mind bitter hours when some
example in long division stood like an impassable wall between us and
all happiness; when complex fractions deprived life of all joy, or the
future was hopelessly blurred by being seen through a mist of tears and
irregular French verbs. The word "study" is therefore likely to seem to
indicate a mechanical process, full of weariness and vexation of spirit.
This is actually true of no study which is worthy of the name; and least
of all is it true in connection with art. The word as applied to
literature is not far from meaning intelligent enjoyment; it signifies
not only apprehension but comprehension; it denotes not so much
accumulation as assimilation; it is not so much acquirement as
appreciation.
By the study of literature can be meant nothing pedantic, nothing
formal, nothing artificial. I should like to call the subject of these
talks "Experiencing Literature," if the verb could be received in the
same sense as in the old-fashioned phrase "experiencing religion." That
is what I mean. The study of literature is neither less nor more than
experiencing literature,--the taking it to heart and the getting to its
heart.
To most persons to study literature means nothing more than to read.
There is, it is true, a vague general notion that it is the reading of
some particular class of books, not always over clearly defined. It is
not popularly supposed that the reading of an ordinary newspaper is part
of the study of literature; while on the other hand there are few
persons who can imagine that the perusal of Shakespeare, however casual,
can be anything else. Since literary art is in the form of written
works, reading is of course essential; but by study we mean something
more grave and more fruitful than the mere surface acquaintance with
books, no matter how high in the scale of excellence these may be.
Public-domain text, read in full here on John Shaqi.
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