Something may be judged by the amount of seriousness with which a thing
is written. The air of sincerity which is inevitable in the genuine is
most difficult to counterfeit. What a man really feels he writes with a
certain earnestness which may seem indefinite, but which is sufficiently
tangible in its effects upon the reader. More than by any other single
influence mankind has in all its history been more affected by the
contagion of belief; and it is not easy to exaggerate the
susceptibility of humanity to this force. Vague and elusive as this test
of the genuineness of emotion might seem, it is in reality capable of
much practical application. We have no trouble in deciding that the
conventional rhymes which fill the corners of the newspapers are not the
product of genuine inner stress. We are too well acquainted with these
time-draggled rhymes of "love" and "dove," of "darts" and "hearts," of
"woe" and "throe;" we have encountered too often these pretty, petty
fancies, these twilight musings and midnight moans, this mild melancholy
and maudlin sentimentality. We have only to read these trig little
bunches of verse, tied up, as it were, with sad-colored ribbons, to feel
their artificiality. On the other hand, it is impossible to read "Helen
of Kirconnel," or Browning's "Prospice," or Wordsworth's poems to Lucy,
without being sure that the poet meant that which he said in his song
with all the fervor of heart and imagination. A reader need not be very
critical to feel that the novels of the "Duchess" and her tribe are made
by a process as mechanical as that of making paper flowers; he will not
be able to advance far in literary judgment without coming to suspect
that fiction like the pleasant pot-boilers of William Black and W. Clark
Russell, if hand-made, is yet manufactured according to an arbitrary
pattern; but what reader can fail to feel that to Hawthorne "The Scarlet
Letter" was utterly true, that to Thackeray Colonel Newcome was a
creature warm with human blood and alive with a vigorous humanity?
Theoretically we may doubt our power to judge of the sincerity of an
author, but we do not find this so impossible practically.
Public-domain text, read in full here on John Shaqi.
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